Categories
Musings

Living London’s Life – 1978

While traveling through Europe that year I’d set a tight budget: $10 per day, excluding travel.  In London, this tiny allowance would be tested.  The first night I tramped about Kings Cross station looking for economical accommodations.  Most were at prices that fully consumed my budget goal.  I chose the cheapest of the lot and the next day scoured classifieds looking for something under $5 per day.  I avoided hostels,  to be free of Americans with Eurorail passes moving about in herds.  There were a hundred too many young Yanks, each backpacking through Europe with indeterminate plans to some day attend grad school when back home.  They simply didn’t interest me.  I wanted to live among locals.

A boarding house in northeast London at  Highbury & Islington at £2.50 a night caught my eye.  The exchange rate of $1.85 per pound was favorable, so the room came to a frugal $4.65 per night.  It also included a full English breakfast, so that would cut down on food costs.  I had a private room with a free-standing tub, sink, high ceilings, and water chamber down the hall.

I kept the 1978 map of the London Underground.

The building was a sprawling Victorian affair, a bit shabby and nearly a mile from the tube stop, which meant there were no tourists in sight.  In fact, the boarding house only accepted men, mostly tradesmen and laborers. Breakfast was served from 5:30 to 7:30 am in a drab, low-ceiling basement. We sat on benches at heavy wooden tables hunched over our hot breakfasts.  It was the same every day: runny baked beans, greasy bacon, stewed tomatoes, bread toasted on one side, butter, marmalade, cornflakes, tea, juice, and coffee, all served cafeteria style.  There was little conversation.  Men of all ages sat sullenly contemplating another day’s labor.  It was fine by me.  I rose early, ate the hearty fare, and was out the door for my day’s adventure.

Soon after arriving, I read about a free concert at Victoria Park in east London.  There were expected to be 80,000 fans to march from Trafalgar Square to Rock Against Racism, as the event was known.  After observing the masses at Trafalgar I’d hopped the tube to the park.  In early 1978, punk music was pretty new.  I considered England’s biggest act, the Sex Pistols to be dreadful.  But, the Clash were different – talented musicians with inventive lyrics, good melodies, and two front-men, Joe Strummer and Mick Jones who rocked with the best of them.

The Clash performing in Victoria Park before 80,000 on April 30, 1978.

I sidled my way up front near the stage.  When the Clash performed mobs of young men jumped up and down some with violent intent.  From its resemblance to a pogo stick, Pogo-ing soon became a verb.  I joined along, but the most rambunctious of the pack swung heads and fists so violently that I beat a quick retreat to safer spaces along the edge.   Also on the Rock Against Racism program that day were: the Tom Robinson Band (political rock); Steel Pulse (reggae) and X-ray Spex (punk), with only TRB being any good.

During most days, I’d visit museums, galleries, historical monuments, fashionable squares, parks, and vibrant districts.  Hyde Park, Speaker’s Corner was always a hoot, like the half-bearded wit who entertained the crowd for an hour.  Towards early evening I’d gravitate to areas with cheap restaurants to peruse menus, looking for the best prix fixe value for a multi-course meal.  Those deals were usually found in immigrant districts so I often dined in Indian, Pakistani, or Middle Eastern joints.

This witty, half-bearded guy entertained the crowd at Speaker’s Corner for nearly an hour.

I typically planned an evening’s entertainment and often joined the London Walks around famous neighborhoods.  These walks had names like Sherlock Holmes’s Baker Street or the Secret World of Jack the Ripper.  You’d meet the guide at a pub.  Then a dozen or so tourists followed a well-spoken Brit who guided us through the streets of London relating topical stories with anecdotal stops at key points.

At the end of the typical 90-minute tour, most of the crowd topped off their evening with a pint or two in the pub where we’d first met.  Some nights I’d catch a music performance, some freely presented in a club or church.  I saw a bit of theater, the one to remember being Agatha Christies’ “Mousetrap,” the world’s longest-running play  having been continuously performed since 1952.  I’d hope to have seen more theater, like my literary hero, Somerset Maugham did when he was a youth 80 years earlier, but ticket prices were far higher than those days when Maugham paid pennies for a show.

Afterward, I’d catch the tube back to Islington & Highbury station for the long walk home under lamp lights to my boarding house. Sometimes the station was filled with festive, red-garbed Arsenal soccer fans, as the football stadium was a 15-minute walk.  Sometimes one’s thoughts conjured dire images of walking home alone at night in a foreign city.  But fortunately, this area hadn’t much cause for concern as few people were out late, and the ones that were had work in the morning.  Still, I stayed alert as getting jumped was never far from my mind.

One night whilst on a London Walk, I met a young Brit about my age who told me Queen was playing at Empire Pool (now Wembley Arena).  The thought of spending a night at the opera with Freddy Mercury and Brian May was enticing so plans were made to meet at a certain time and place outside the arena.  The bloke never showed so I bought a ticket (£2.50) and found myself witnessing one of the greatest performing bands of all time.  Queen rocked most all their hits, including eight songs from “Night at the Opera” and some lesser-known personal favorites like “39” and “Love of My Life.”

I kept my Queen ticket stub. At then exchange rates, £2.50 came to about $4.65.

My favorite hobby was reading London newspapers. Newsstands were everywhere, and it was easy to find discarded copies at any rail or subway station.  I read them all: Daily Telegraph, Guardian, Evening Standard, Daily Mail, London Times (a tad too dry), and page 3 of the Sun (aficionados will understand).  There were also the weekly music rags like Melody Maker and New Music Express filled with stories about rock and pop groups of the day with a listing of nightly happenings at hundreds of music venues scattered through town.   Rare but welcome was the International Herald-Tribune, a joint-venture daily by the New York Times and Washington Post, bringing news of home, especially U.S. sports which weren’t often covered abroad.

Anne Biege in her Oxford dorm room, May 1978.

I made one brief sojourn from London to Oxford to see a hometown friend, Anne Biege who was studying there.  She showed me about the storied campus and we had a pint at the Eagle and Child, the pub made famous by C.S. Lewis, J.R.R. Tolkien, and fellow inklings.  Anne found me a bed in her friend Tim Gallagher’s room.  He was an English major with a fascination for Edmund Spenser’s “The Faerie Queene.”  In an ancient cathedral, I made a brass rubbing from an armored knight.  I still have it.

My rubbing of a knight in Oxford’s cathedral.

My two-month visa to the United Kingdom was set to expire in a few days.  I’d spent a month in Wales (including one week traveling with a rugby team up the Irish coast) and nearly a month in London.  Soon it was time to head back to Paris and join my sister, Danica for her birthday, then head for Spain.

Here’s the postcard I wrote home to the folks towards the end of my stay in London.

May 8, 1978

Dear Mom & Dad,

Well, I’m here in London and have been about a week and a half now.  It’s a great city though I now have a much different perspective of it than I had 10 years ago.  I’ve been trying to go out every night and have so far seen three plays, four movies, five rock groups (all in one day at a free open-air, Anti-Nazi concert in Victoria Park), one classical concert, and innumerable pubs.  I’m living in a nice ‘dump’ in the suburb of Highbury, northwest of the city.  It’s kind of a working-class boarding house for those single people on the lower end of the economic ladder.  Quite comfortable, yet unremarkable, though its cheapness compensates adequately.

I’ve been really active touring and such, having taken in many of the main and not-so-main sights of London.  Among the more notable with short descriptions:

  • House of Commons – where I heard the Rhodesia problem debated.
  • Old Bailey – where I saw a real live murder trial.
  • Hyde Park – where the better part of yesterday’s sunny Sunday was spent listening to all sorts of weirdos at Speaker’s Corner.
  • Tower Hill, a Chelsea pub walk, a Dickens’ Oliver Twist walk, most of the major art museums, the London Stock Exchange, and several assorted churches.

I wrote to Anne Biege and will call her Wednesday in hopes of going to see her in Oxford.  Tonight I plan to go to the Marquee Club for a rock concert in the same club the Rolling Stones frequently played in the early Sixties.

Oh, by the way, this postcard represents my favorite picture from today’s visit to the gallery listed below (Edouard Manet, The Bar at the Folies-Bergere, 1881 – Courtauld Institute Galleries, University of London). I’ve been doing that with each visit to a gallery lately.  I still haven’t written to Barry.  Ahhh . . . tell him I lost his address. I’ve written Jean a couple of times though I just got a letter from Dana the other day.  Also, got Scott Hamilton and his English sheepdog, Gretchen off at Heathrow Airport okay.

As they say here, “All the best.”  – Bill

My post card to Mom & Dad – I’m still amazed at my tiny cursive script, even more that it was kept legible.  Above portrait by Edouard Manet – The Bar at the Folies-Bergere, 1881 – Courtauld Institute Galleries, University of London.
Categories
Musings

Another Saturday Night

This story is from a diary I sporadically kept in 1983.  It’s a another Saturday night with friends (Bill Wheeler, Keith Hanson, Jay Carbon, Wayne Podolak, and Mike Hanson), this time at a hockey game.  

Lucky me!

Saturday night (Jan. 22, 1983): Wheels and I drove into Dez’s to meet Keith, Jay, Wayne, Mike, and others before the hockey game.

Dez’s 400 was a tavern at 400 Mercer Street on the north edge of Seattle Center.  It was also a popular  live-music venue. 

We parked at Tower records.  Went in to buy the new Utopia album but they were all out.  Shoot, I usually like to buy an album at Tower, leave the package face up in my car’s window so they know I bought something there.

The Breakers were lousy.  Portland cleaned up despite the crowd chants of “Portland sucks.”  Real class fans at these hockey games.  Rodney Dangerfield said he went to the fights and a hockey game broke out.  Keith, Wayne, Wheels, and Mike wanted to split after the 2nd period.  We stayed for the 3rd and said, “Jay and I would meet them back at the tavern in Renton.”  There were a few more goals scored in the last period but the Breakers still lost.

The Seattle Breakers were a Major Junior hockey team based in Seattle, WA playing in the Western Hockey League from 1977 to 1985. That year the teas was sold and renamed the Thunderbirds.

Jay and I walked back to my car.  My car wasn’t where it used to be.  Lots of people’s cars weren’t where they used to be.  Jay and I made the 10-block walk to Lincoln Towing.  I thought and expressed to Jay how a person chooses everything as well as his response to external events beyond his control.  I still had to pay $50.58.  Got a free Lincoln Towing key-chain out of it.

At the time I was taking Psychodrama classes at GRCC so during our walk to retrieve my towed Mustang II told Jay about my emerging philosophy.

We drove back to the Tav and burned on the way.  Listened to Elvis.

Told my stories and Keith, Wayne, Wheels, and I went to dinner at Red Robin.  Retold our stories and ate ribs.  Told new stories and drank our drinks.  Laughed until we could laugh no more.  Said goodnight.

Wheels and I dropped off at Caruso’s before we went home.  It was 1:30 a.m.  Wheels drinks Smith & Kearns.  I had a Jack Daniels rocks.  Came home, put on the tape, ‘Nobody else’s hand’ and dreamt.

The handwritten story I wrote Sunday morning and stuck in my diary where I also saved the ticket stub.
Categories
Musings

I wrote this letter to Mom & Dad

Forty-five years ago, I wrote this letter to Mom & Dad.  I was in Paris near the end of my first of five months in Europe.  My sister Danica (then known as Dana) was studying at the Sorbonne for a year so my parents decided to visit her during an extended vacation.

I quit my job at Seattle Trust & Savings Bank and decided to start fresh and discover my future.  I’d explore Europe – alone, for months, with little direction and no particular plan or focus, and somehow at the end of it all at age 24, find myself.

I came to Paris a few days before my parents arrived.  On Feb. 6, 1978, we began a 25-day auto tour of Lyon, Nice, Monte Carlo, Pula, Zagreb, and Vienna, highlighted by visits with several sets of Croatian relatives.

Mom and Dad left for home on March 3rd and several days later I penned this Aerogramme letter.

One of several letters to Mom and Dad written on light-weight, air-mail, self-sealing envelopes.

March 6, 1978

Dear Mom & Dad –

I don’t quite know what to say.  I hope you weren’t disappointed that I didn’t express my gratitude as much as I could, but you’ll understand that the ‘thank-yous’ would have been so numerous as to make one thank-you seem inconsequential.  So, I guess what I want to say is thank you a thousand times for everything.  I hope I was acceptable as a traveling companion as I sure enjoyed your company and now miss it.

Jack & Pauline’s passport photo for their 1978 trip through Europe.

You’ll never guess what we did Saturday.  Oh, this was ten times better than the sewer system.  Dana and I visited the Catacombs of Paris.  I wish I could send you a postcard (I sent one to Clinton) so you could get the visual impact of seeing these millions of human bones stacked like kindling in tunnels several hundred feet below the streets of Paris.  They were placed there when several Paris cemeteries were torn up to make room for the city’s expansion in the late 18th and early 19th centuries.  It’s a bit morbid at first but fascinating nonetheless.  Got some good pictures (ha ha).

Bill at the Paris Catacombs, March 4, 1978
Danica in the Paris Catacombs, March 4, 1978.

Yesterday, Sunday, Dana and I visited the Rodin museum.  Rodin was the famous sculptor who did the “Thinker” – the piece with the man sitting, chin on his head and elbow on his knee in a very thoughtful moment.  The gardens were beautiful as was the weather yesterday and today.  The skies are now a bright blue and the sun shines hard.  The temperature though has dipped and it’s rather cold outside.

Today, I visited the Paris stock exchange which was extremely interesting, particularly after having seen the commodity exchange in Chicago.  I almost wish I’d seen the Paris exchange first, as it is so calm compared to the unruly Chicago market.  There’s still lots of shouting and such but nothing compared to the screaming in the commodity pits.  Here in Paris, I was able to actually walk on the floor of the exchange, though I did get a couple of stares (no doubt due to my casual attire in the midst of a sea of suits).  But the amazing thing was that I was walking on the floor of France’s equivalent of the N.Y.S.E.

Their exchange system is quite different from the American counterparts, as prices seemed to be established more by consensus than by the bid-ask system in the U.S.  This probably explains the calmer stance as that all-important need to scream your order and acceptance of the other bidder’s order doesn’t really need to exist here.  An interesting sidelight was at one point during the bond market when all the men broke into a song they sang humorously for half a minute.

Writing as small and legibly as possible, you could tell a good story on an Aerogramme (plus there was 1/3 of a panel on the back).

I moved into this hostel for Protestant students.  It’s a dormitory situation, but I get a bed, breakfast, and hot showers all included for 20 francs a night (about $4).  Almost half the people here are French, a quarter English, and the rest Americans.  In fact, before I finished the previous sentence I was engaged in an extended conversation with John Leeson, an Irishman who now lives in Oxford and is teaching French here in Paris.  And, this letter might begin to sound a bit disjointed as I’m sharing my bottle of Yugoslavian wine with John and Jeff Alford, an American from Newport Beach, California.  We’re listening to Radio Luxembourg (Europe’s Top 40 station).

I met Dana’s good (best) friend Carrie, the one whose parents were here over Christmas.  She’s red-headed and quite nice, the exact opposite of Jana.  Dana even admits that Jana is a bit too much.  Much of the time her stories are B.S. and it can even get to Dana at times.

I ate dinner at Dana’s one night and can understand the source of many of her culinary complaints.  The food is horrible.  I had spinach – not the fresh green vegetable I’m used to, but a dull, sickly green blob of something that if you didn’t know it was food, you wouldn’t touch it with a ten-foot pole.  The best I can say was that it was barely edible.

Well, say hello to Barry and Cathy for me (and tell Cathy thank you for the Valentine’s card).  Also, tell her I’m sorry I didn’t send her one but I actually forgot when I was making a list of everyone I sent one to.  Also, if you happen to see Wheels, tell him that his cassette deck is in my room.

Thank you for everything.

Love, Bill

Post Script: I wrote several more letters to Mom and Dad on that trip.  Mom kept a keepsake box for each of her four children where after her death I found that letter and many other treasures.

Jack and Bill Kombol, Feb. 8, 1978. I know the date because my efficient Mother kept a detailed travelogue of our journey.

During those four weeks we spent together, I grew closer to my Dad than perhaps I ever been.  He worked hard all his life and in later years found numerous ways to give back to the community.  He helped the old oddballs to whom he rented tiny apartments on the second-floor above Steve’s Shoe Store at the corner of Griffin and Cole in downtown Enumclaw.  He was elected to the school board and as such handed me my diploma when I graduated from high school.

Jack Kombol hands me my diploma, June 2, 1971.

Jack Kombol passed away April 11, 1979, just over a year after coming home from our trip to Europe.  He died on a Wednesday, I wrote a poem on Thursday, and read it at his funeral on Saturday.  I was 25-years-old, channeling feelings from the 14th year of my life when two grandparents, Dad’s father and Mom’s mother died on the same day:

Tears We Have

The last day we expected was the morning that we feared
the nights we cried so long ago have come to rest right here.

We gazed in one another’s eyes
We prayed that we might cope
We stared through nature’s loneliness
and filled our days with hope.

Every day brings forth each night from which dawns each new day
longings fill the times between with thoughts from yesterday.

We’ll never let our smiles down
We’ll never lose our faith
We’ll never touch the world beyond
or see tomorrow’s face.

The news it comes so suddenly, the sadness travels far
raindrops fall from blossomed eyes as we touched who we are.

We realized the sorrow
We understood the pain
We felt the empty feelings
yet prayed no prayers in vain.

And so we’ll cry these tears of pain from sorrow we must store
the tears we have are tears we’ve cried a thousand times before.

There wasn’t much that Dad liked more than operating the heavy equipment he did until shortly before his death.  Here’s Jack Kombol with a drag-line shovel at the McKay coal seam,on Franklin Hill east of Black Diamond, circa 1977.

 

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Uncategorized

Postmarked Vietnam

Writing about music is like dancing about architecture *

TWO SONGS – TWO STORIES

Songs evoke memories of times long past, each bearing a story to be told. This is mine.  It’s a tale of two singles; we called them 45s back then. Both were favorites. Both were songs about war. Two soundtracks postmarked in my mind––songs that evoke a time and age.

I played them on a cheap record player in my childhood bedroom. Neither mentioned Vietnam, but everyone knew what they were about. The singles were separated by two years. In the lifespan of a boy, that’s an eternity.

When young I was fascinated with soldiers. Growing up in the fifties and sixties most men of my parent’s generation served in WW II or Korea. Mom gave me a book, “Stories of Great Battles” about the soldiers who fought famous wars throughout history. I must have been eight or nine. I read it time and again.

The book was published in 1960.  It had been read so many times that years later I repaired the spine with duct tape.

JANUARY 1966: “BALLAD OF THE GREEN BERET” RELEASED

A few years later a song embodied the spirit and courage of the brave men featured in “Great Battles.”  Sgt. Barry Sadler released “Ballad of the Green Beret” in January 1966. It rocketed to the top of the charts remaining at No. 1 for five straight weeks and finished as the year’s top song. Mom bought me the record. I hummed the tune and memorized its lyrics. They told the bittersweet story of a father, son, and a shared military culture. I loved everything about that song. I was 12 years old.

The Ballad of the Green Beret by Barry Sadler. I still have the 45 single.

During the 1960s, Vietnam was inescapable––there in newspapers, magazines, television, and endlessly debated. Even its spelling and pronunciation were disputed: Vietnam or Viet Nam? Did the second syllable rhyme with mom or ma’am?

We wrote reports about the war and by 9th grade, it was the debate prompt in Mrs. Gallagher’s speech class: “Resolved that the U.S. should withdraw its troops from Vietnam?” In the style of classic debate, we were expected to successfully argue both sides of the proposition. My debate partner was Jim Clem and together we clipped articles, copied quotes, researched facts, and assembled 3” x 5” index cards supporting and opposing the prompt. In real debates against fellow students staged before the entire room, we demolished our competitors. It was the fall of 1967.

JANUARY 1968: “SKY PILOT” RELEASED

Several months later another war song was released, this time by a blues-rock singer from Newcastle, England who’d moved his reformed band to flowery San Francisco during the Summer of Love. Eric Burdon and the Animals recorded a song quite different than any of their previous offerings – “Sky Pilot.”

How do you explain the feelings of a 14-year-old upon hearing Burdon’s spoken word introduction? “He blesses the boys, as they stand in line. The smell of gun grease and the bayonets they shine.” Or describe the power of bagpipes during the long instrumental interlude preceding the powerful final verse: “A soldier so ill looks at the sky pilot. Remembers the words, ‘Thou shalt not kill’ ”

On January 30, 1968, the Viet Cong launched their Tet Offensive, a military campaign that resulted in a sea change of American attitudes about the war. Four days prior Eric Burdon released “Sky Pilot,” all 7:27 minutes of it.

I purchased the 45 at Stan Boreson’s Music Center on Cole Street in Enumclaw. Side A is the 2:55 single, while Side B concludes the epic by showcasing the glorious sound of Scottish bagpipes. You had to flip the record to hear the entire song. Upstairs in that same bedroom once filled with notes from “The Ballad of the Green Beret,” I played “Sky Pilot” again and again. Two years prior Sadler’s ballad was the No. 1 song and the toast of a grateful country.

Sky Pilot by Eric Burdon & the Animals, which I still own. Side B was part two of the 7:27 song.

Zeitgeist is a German word that literally translates as ‘time-ghost’ but more generally renders it as ‘the spirit of an age.’ Those two records captured the spirit of my age. A 12-year-old smitten with soldiers and the romance of battle versus the 14-year-old touched to his soul by a verse adapted from the sixth Biblical commandment. Inside me two songs played, each battling for a hold of my conscience.

1971: COLLEGE AND THE DRAFT

Throughout high school, ad hoc debates erupted the few times we weren’t talking about ourselves. At family gatherings, U.S. involvement in the war often ended in arguments. When I arrived at college, students marched shutting down the freeway near campus. Eighteen-year-olds, including this one, registered for selective service while others spoke of fleeing to Canada. The Vietnam War would straggle for another three years.

That year’s draft lottery fell on Groundhog Day, 1972. We each saw the shadow of uncertain futures. It was an anxious time. What birth dates would be drawn? Mine drew a safe 139, with official expectations that only the top 50 numbers might be conscripted.

I was never called to serve and never joined the protests.  I remained an observer to the events that unfolded around me.  I generally held nuanced views on the war.  Yet, two songs were buried deep in my heart––pulsating fragments of youth––imprisoned feelings of good and bad, right and wrong, Barry Sadler and Eric Burdon.

More than 30 years later, I assembled a music CD comprised of songs about the Vietnam War. I titled the collection, “Postmarked Vietnam.” It’s a refrain from another Barry Sadler song, “Letters from Vietnam.” The CD included both “Letters” and “Sky Pilot,” plus 20 others. The music therein still echoes through my inconclusive thoughts about a war that changed so many live.

DECEMBER 31, 2017: KARAOKE AND CLOSURE

In late December 2017, our family traveled to Japan to visit my son, Oliver who was teaching English in the small town of Hofu. It’s a small city about 60 miles southwest of Hiroshima. On New Year’s Eve, we booked our party of six into a Karaoke box, a private room in a building with dozens of similar sized rooms. Karaoke is very popular in Japan.

Each of our party selected several songs during an hour of entertaining each other. I chose “Sky Pilot” and Spencer joined me on vocals. Singing Eric Burdon’s masterpiece with my son was another piece in the jigsaw puzzle for processing feelings you can’t otherwise explain.

Spencer and I sing our Karaoke duet of “Sky Pilot.” It was a magical moment for both of us.

And maybe that’s why writing about music goes round and round like a record on a turntable. Always creeping closer to the center, but with no clear idea as to why and what we hear is mostly in the ear of the beholder.

* This quote has been attributed to many, including Martin Mull, Elvis Costello, Frank Zappa, Steve Martin, and others.

The cover of my CD compilation comprised of songs from a variety of musical styles. I’ve included YouTube links to each song.

Postmarked Vietnam – May 2005 – WJK Studios

1.  Nineteen (intro) – Paul Hardcastle  0:40
2.  Summer of ’68 – Charlie Daniels Band   4:31
3.  The War Correspondent – Eric Bogle  3:54
4.  King of the Trail – Chip Dockery  1:42
5.  Letter from Vietnam – Barry Sadler  2:29
6.  White Boots Marching – Phil Ochs  3:31
7.  Tchepone – Toby Hughes  4:14
8.  I-feel-like-I’m-fixin’-to-die-rag – Country Joe  3:03
9.  Cobra Seven – Toby Hughes  3:31
10.  I Gotta Go to Vietnam – John Lee Hooker  4:23
11.  Bring the Boys Home – Freeda Payne  3:31
12.  P.O.W. – Merle Haggard   2:50
13.  Talkin’ Vietnam Blues – Johnny Cash  2:58
14.  Still in Saigon – Charlie Daniels Band  3:57
15.  Vietnam – Jimmy Cliff   4:51
16.  Khe San – Cold Chisel   4:09
17.  Welcome Home – Eric Bogle  4:32
18.  Drive On – Johnny Cash  2:23
19.  My Vietnam – Pink  5:19
20.  Sky Pilot – Eric Burdon  7:27
21.  Will There Be a Tomorrow – Dick Jonas  3:37
22.  Return to Vietnam – Kitaro  2:02

 

Categories
Musings

Some Impressions of Japan

 

Translates to “Some impressions of Japan” (I think).

A short trip to a foreign county is hardly enough exposure to develop a well-informed understanding of the culture.  But impressions require no such universe of knowledge.  Here’s what I found remarkable during our family’s 12-day trip through the land of the rising sun.  My reflections on Japan are based on a limited sample size and special purpose: five cities (Tokyo, Kyoto, Hiroshima, Hofu, and plus Osaka), plus one excursion to the country (Mt. Fuji), all within the context of a family vacation for sight-seeing and pleasure.

Before discussing Japan, first I must confess the most fabulous aspect of our family’s trip – an incredible job undertaken by our travel agent, Jennifer.  My lovely wife not only coordinated travels arrangements for five people from three locales (Seattle, L.A., Hofu), she also booked every hotel, obtained rails passes, secured portable Wi-Fi (a brilliant addition!), planned each day’s events, and saw that we sampled a dozen different styles of Japanese cuisine.

She even mastered some Japanese language and could navigate twisting streets of uncertain names written in characters that no one could decipher.  Jennifer acted as a personal concierge to four semi-competent Kombol males, a herculean task in and of itself.  Every observation I offer is only made possible because I could literally show up for each day’s pleasures.  She must have been a tour guide and booking agent in a prior life . . . because she’s perfected that role in this one.

The Japanese country and its people are busy.  Trains, buses, and subways run on time and with incredible frequency.  Seemingly everyone is working, going somewhere, or engaged in commerce.  Idleness was not apparent.  Efficiency was ubiquitous.  The trains and subways were a wonder.  Polite and uniformed workers were everywhere carrying out their repetitive tasks with attention to detail and great respect for their job.  On station platforms, rail workers bowed to each passing car.  Not once or casually – but each time for every car – with genuine bows of reverence!

To me, the stations seemed a frenzied and impossible labyrinth for a blind or wheelchair-bound person to navigate.  But, whenever I saw someone disabled come off a train or subway, as if by magic a Japan Rail or subway worker appeared, wheeling or walking their challenged passenger through the haze and hyperactivity to their next train or out of the station.

Japanese rail stations were always clean and efficient.

The overall transportation system was a marvel.  There were no fare-jumpers or cheats as watchful station masters kept attentive eyes on turnstiles.  Ticket pricing was an economist’s dream – the further you go the more you pay.  There was no ‘dumbed-down’ one-fare for all nonsense.  It was a bit confusing at first, but soon you figured out the system at easy-to-navigate automated ticket kiosks.  Insert coin, select fare, print, and off you go.

There’s no ‘free lunch’ on Japanese trains, but tourists can get pretty close to one by purchasing a Japan Rail Pass, which of course my economical wife secured.  However, you must purchase them outside the country and then produce a train full of documents (passports, etc.) before they’re validated.  Japanese Rail officials won’t even allow tourists to scam their system.

Everywhere there was economic activity – factories buzzed, shops marketed, restaurants served, street vendors hawked, and entertainment venues entertained.  There was even a mechanized factory in a railway station: a workshop making cheesecakes of the jiggly variety.  Yes, this was a cheesecake factory, but not a chain restaurant of the same name.  A staff of 10 or 12 worked behind glass walls busily producing one cheesecake after another as patrons lined up 30 or 40 deep.  They sold as fast as they were baked, logo-stamped, boxed, and ready to go – about one every 30 seconds.

Putting the finishing logo touch on a jiggly cheesecake, baked in a factory in a busy Osaka rail station.

Outside one of our hotels near a rail station stood a small factory of unknown manufacturing, where each morning scores of employees punched time cards at the street entrance.  I had no idea what they produced but it was a beehive of activity in an area smaller than a city block.  On train rides, you saw literally hundreds of businesses just like that one.  But one could only guess what they were making or creating.

Many stores had stacks of items outside their establishments in streets so busy that hundreds passed every few minutes.  Yet, no shopkeepers or guards were thwarting sticky shoplifting hands.  In fact, there was no evidence of theft even though it would have been impossible to catch even a slow-walking thief on those busy sidewalks.  My son, Oliver said there are very high levels of honesty and trust in Japan.  If you hand a shopkeeper a 10,000 yen note (about $100), there’s no worry about getting back anything except your exact change.  I saw pride in almost every service worker.  You could really feel it.

City streets were almost devoid of litter as were the rail stations and platforms. This has to be the cleanest and tidiest country I’ve ever visited.  Yet garbage cans on street corners were rare.  You were expected to carry your garbage with you until it could be disposed of properly.  There was almost no graffiti anywhere, except for a few instances in the westernizing city of Osaka.  Several times I saw shopkeepers wiping and polishing their garage-style doors that close each night.  In most cities, such doors are uniformly gritty and dust-stained.

A little girl poses at the Hachiko statute in Shibuya district of Tokyo, one of the world’s busiest.

We didn’t see any homeless people and on only one or two occasions saw a ranting crank or psychotic.  Throughout Japan people were well dressed, many exceedingly so.  You’d search in vain for the slovenly clothed dude in cargo shorts and stained hoodie.  In fact, almost no one was poorly dressed.  The vast majority appeared sharp and refined.  There was very little logo sports ware of any kind, the fan uniforms and team colors pervasive in Washington on any blue Friday or Seahawk Sunday.  Many women wore skirts and heels while men, even young ones dressed with style.  Certainly, in smaller cities such as Hofu, the attire was less upscale, but smartly-dress people were still the norm.

Tattoos and facial piercings were almost nowhere to be found.  Pink, purple, or green hair was a rarity.  Students wore uniforms on school days – typically blazers, slacks, sweaters, and ties for boys, and skirt / sweater combos for girls.  Most all restaurant and store workers wore matching uniforms.  Taxi drivers and service workers were outfitted in snappy uniforms.  Every taxi cab driver seemed destined to play the role of English butler – polite, discrete, and reserved –  without exception each was a Japanese man between the age of 50 and 70.

A typical Japanese taxi driver.

The populace looked very healthy.  Skin complexions were generally clear, with abundant examples of beautiful skin.  At the risk of being offensive, almost no one was overweight with trim, svelte figures the order of the day.  It didn’t matter if they were young or old – most everyone favored a trim, lean body.  Wondering if my observations were biased I checked obesity rates by nation and sure enough, Japan had the lowest of any developed country – one-tenth of that in the U.S. (3.7% vs. 38.2%).

Fear of germs is a big deal.  And this was before Covid.  Perhaps one in twelve Japanese sported a surgical face mask, particularly in crowded cities.  I suppose with that many people packed tightly on subways, trains, buses, and shopping centers, it probably makes sense.

Now obviously there’s a cost for everything and Japan is not a cheap date.  Our exchange rate was a little better than 100 yen to the dollar making price calculations and comparisons easy. If you didn’t get your coffee from fast food or convenience stores, prepare to pay $5 for a cup, even in tiny joints, you wouldn’t think to be expensive.  Typical subway fares were $2.50 each way, but the farther you went the more you paid.  Some meals were reasonable, but places such as steakhouses and sushi houses were very expensive. Overall, if one was mindful of your dining budget, there was very good food to be had at $10 to $16 per meal.

One of the more incredible things to an American hooked on credit and debit cards was how many restaurants and independent establishments accepted only cash.  If you’re not packing real cash money, you may not be eating in Japan.  One thing to remember if you ever visit – there’s no tipping, in fact, it’s considered rude and insulting in most situations.

There were some surprises – hotel rooms weren’t that pricey given the excellent quality and service.  In fact, rooms in the smaller city of Hofu were downright cheap at $70 per night in a very pleasant, well-staffed, multistory, APA Hotel.  And Kyoto was less than $115 per night at an inn with river views, kitchens, and washing machines.  Plus, the hotel staff was always neatly dressed and very helpful.  One interesting phenomenon during hotel stays; at each check-in, passports are demanded, processed through a scanner, and returned.  I suppose it isn’t surprising Japan has one of the lowest illegal immigration rates in the industrialized world.

One special treat for travel in Japan is heated toilet seats, almost everywhere, even in public restrooms.  Other bidet pleasures await the clean of bottom, but I’ll refrain from further detail in deference to propriety.  Plus, almost every bathroom we encountered, both public and private was clean, tidy, and well-maintained.  Once again, there was no ugly graffiti defacing stalls or walls.

The temple at Kinkaku-ji near Kyoto called the Golden temple.

They say that Japanese are Shinto at birth, Christian at marriage, and Buddhist at death.  The marriage business is a very big deal with several floors at larger hotels devoted to wedding facilities, reception rooms, and assorted services for brides and grooms.  Throughout the country, there are both Shinto and Buddhist temples, but it’s hard for Westerners to distinguish the differences.  As best I could tell from my limited reading and studies of religion, Shinto is essentially a nationalist form of Buddhism.  But, wherever we went, whether it be Shinto or Buddhist, the temples were well-cared for and revered by large numbers of visitors.

Suffice to say, we loved Japan.  I liked the people, the culture, the beauty, and the experience.  It’s an amazing country that seems to be prospering despite news stories that bemoan its aging population and stagnating economy.  Apparently, the elderly Japanese must live out in the country, because we saw mostly young and middle-aged people, busily going about their lives in every city.  Certainly, there were older Japanese (particularly taxi cab drivers), but it sure seemed like a young and vibrant country from my observations.

My overall impression of Japan is a country of proud people with much to be proud about.  I suspect they’ll keep it that way.

The five Kombols: Spencer, Bill, Jennifer, Oliver, and Henry in Fujiyoshida (near Mt. Fuji) on Christmas Day, 2017.
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Reflections on Tom Landis

Tom Landis died suddenly 13 years ago today.  This is the eulogy I read at his funeral a month later.  A few months before I’d seen Tom Landis at a funeral, never thinking that some weeks hence I’d be speaking at his.

“Everyone has a story to tell.”  That was Tom’s Facebook page motto.  This is how Tom approached life and the way Tom welcomed the people he knew – by listening to their stories.  This is mine.

Tom had an ability to communicate with most every one.  He was as comfortable discussing medieval philosophy as he was pounding nails.  Tom approached each person as a unique individual deserving of his attention and interest.  He interacted as well with a child, a teenager, a woman or a fellow worker.  When Landis spoke, OFTEN LOUDLY, people listened.  I was one of them.

Tom had one of the most brilliant minds I’ve ever known.  In every encounter I learned something: an author, a book, a quote, philosophical insight; more often an approach to life through building or construction; less frequently, but most valuably, an insight into my own shortcomings.

I first met Tom in the early 1980s.  My initial impression was of a bookish intellectual of penetrating eyes with a quick-witted tongue.  The better I learned to know Tom, the more I grew to like him.

Now, I have no intention of painting a false picture of Tom.  He could be loud, crude or boorish.  I don’t believe ‘alcohol’ was his friend.  Tom was no saint, but in his heart he was no sinner.

His dual nature: Tom Landis staining  logs at Shangri-La.

Tom often spoke through a world of ideas.  He was fond of saying that, “small minds talk about people, average minds speak of events, but great minds discuss ideas.”  Tom had this amazing ability to take a complex situation and make it simple.  He also had the frustrating tendency to take the simple and make it complex.  He was at home in words, in poetry, and the appreciation of beauty.

Tom was a religious spirit who sought transcendence in the mundane.  He enjoyed the humdrum of everyday living.  He was at ease in the philosophy of Buddha as he was by quoting Jesus or the Bible.  He believed ‘the journey’ to be more important then ‘the destination’ and that more could be learned through ‘doing’ than from an analysis of how things are done.

Tom loved the movie It’s a Wonderful Life.  He would often end a conversation or an e-mail with a quote from the movie.  If you moved into a new home, Tom would bring you bread, salt, and wine.  “Bread… that this house may never know hunger.  Salt… that life may always have flavor.  And wine… that joy and prosperity may reign forever.”   Tom might even bring you a copy of the novel Tom Sawyer.  “Remember no man is a failure who has friends.”

Do this in remembrance of Tom, go home and watch It’s a Wonderful Life in its entirety.

I remember one particular Labor Day weekend at Shangri-La where amidst the revelry Tom used the scenes at hand to explain the 14th century allegorical poem, Divine Comedy by Dante.  I usually came away from a conversation with Tom impressed by his command of culture and man’s place in the cosmos.  I think of Tom as I quote Dante, “Speaking he said many things, among which I could understand but a few.”

Tom’s experiences at Drake University shaped his world view.  A few years back I sent Tom a commentary on the 1960s in general and the year 1968 in particular.  In response, he told of his days meeting the likes of Abbie Hoffman, Mark Rudd, and Eldridge Cleaver in the Christian coffeehouse he ran at Drake.  Speaking of that ministry, the mayhem, and the madness, Tom wrote:

“In 1968, I was 20.  I wrote poetry, rode a bike, and had small, simple thoughts.  I kept myself sequestered among a small group of friend who were Christian centrists.  We read, went to the movies, listened well, broke bread together.  We argued about things we knew nothing about, such as Heidegger and Nietzsche, but ultimately garnered respect for the simplicity of C.S. Lewis and how he reframed the Christian dialogue . . . During the summer of 1970, I began my carpentry apprenticeship.  I guess this was my attempt at cultivating my own garden.  Four years later, I joined the Seabees.  By then, my garden had gotten bigger although I still enjoyed reading C.S. Lewis.”

Tom recently wrote an auto-biographical novel.  It’s the story of a man who dies suddenly in late middle-age.  He writes, “When a death happens unexpectedly in a family, you see a person’s life through what’s left on the bedroom dresser: a wallet, a wedding ring, a watch, loose change, Tums, golf tees, a half-empty book of matches.  This usually means that the person wasn’t expecting to die suddenly.”   

Tom died unexpectedly in late middle-age on Dec. 15, 2009.

Tom wrote much about life on Diego Garcia, a British-American island outpost in the Indian Ocean, where enduring friendships with his Seabee buddies were made.  They called it ‘The Rock’ and Tom described the experience “as a cross between Gilligan’s Island and Alcatraz.”

As some may know, Tom wrote his own obituary.  In 2007, I received a long email – nothing unusual about that, Tom was the master of long emails.  The subject matter caught my eye.   In my emotions I was somewhere between amused and bewildered, but knew better than to ask “What’s this all about?”

Instead, I sent some editorial corrections and suggestions for improvement.  About three weeks later the finished version arrived.  I said nothing, but printed it out and put it away in a safe place.  His self-penned eulogy wasn’t the morbid act of some mischievous person, for Tom wrote in the present tense and titled it “My Living Funeral” – with an obvious emphasis on the word ‘Living.’   Tom planned to run the race set out before him.

Tom Landis in red floral print with best friends, Mike “Baggy” Palshis (left)
and Phillip Chard (right of Tom in sunglasses).

In many ways Tom was a contradiction.  He was a philosopher in mind, but a carpenter in hand.  He could be ‘fire’ and just as easily a ‘rose.’  Tom was a writer of two volumes of published verse.  Tom enjoyed poetry, so I finish with lines from a poem by T.S. Eliot that he would enjoy.

What we call the beginning is often the end
And to make an end is to make a beginning.
The end is where we start from.

With the drawing of this Love and the voice of this Calling

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, unremembered gate
When the last of earth left to discover
Is that which was the beginning;

And all shall be well and
All manner of thing shall be well
When the tongues of flame are in-folded
Into the crowned knot of fire
And the fire and the rose are one.

Labor Day Coda:

The late Tom Landis was famously loud.  The more he drank the louder he got—especially on Labor Day weekend at Shangri-La.  There he sat above the volley ball court as the appeals referee, referred to as ‘Buddha’ by those below. There Tom bellowed the phrase, “You’re all idiots!” for which he will always be remembered.

In his loving memory, a bright red, neon sign now hangs each Labor Day weekend at Shangri-La, a place he loved and where everyone loved Tom.  I stood below on the Friday before Labor Day in recognition that Tom was wise and yes, we all are idiots.  We just don’t know the next time we’ll prove him right.

“You’re all idiots” – Tom Landis
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Ten Album Turning Points – Desert Island Discs

Who didn’t love album covers?

In Tom Stoppard’s play, “The Real Thing,” the lead character, Henry can’t figure out which songs to pick when he’s slated to appear as the castaway on Desert Island Discs.  The problem is Henry likes mindless pop music, but he’s a snob who’s afraid to admit he like pop music, so struggles to find songs and performers those of his intellectual class should like.  His wife suggests a more pragmatic approach: pick records associated with turning points in his life.

My list follows the turning point theory–– records that wormed into my ears during special moments experienced early in life.  There are plenty of albums I grew to love after these, but none captured my heart and soul like those from my youth.

I compiled my Desert Island Discs during the early days of Covid-19 when the country was shutting down and a bored citizenry sought new ways to amuse themselves by posting lists of favorite albums.  April Fools’ Day seemed a fitting day to start, so with thanks to Doug Geiger’s original Facebook invitation and Jim Olson’s posts of musical inspiration, I posted these favorites from April 1-10, 2020.

Day 1 – The First Family (1962): Though it’s April Fools’ Day, this is no joke . . . though Vaughn Meador’s First Family sure traded in them.  It was the first record I listened to all the way through time and time again.  It was my 9-year-old introduction to political humor, delivered with Kennedy-style Boston accents plus world leaders whose names I still remember: De Gaulle, Khrushchev, Ben-Gurion, and Castro among them.  This spoken-word comedy album spent 12 weeks as #1 on the Billboard charts selling over 7.5 million copies.  The Kombol family’s copy of the album, listened to so many times, was never played again after Nov. 22, 1963.

Day 2 – Modern Sounds in Country & Western Music (1962): “I Can’t Stop Loving You” was the #1 hit, and Ray Charles’ foray into C&W was what a nation listened to that year.  The album spawned four singles and everyone liked it: kids, adults, even grandparents.  I listened to it once again this morning.  Its soulful, jazzy,  easy-listening, country-feel, sounds just as sweet today as it did 58 years ago.  This was one of the couple dozen albums our family-owned.  My sister, Jeanmarie and I regularly rotated Ray Charles’ “Modern Sounds” with soundtracks from “Oklahoma” and “The Music Man” plus our own personal favorite–– the spoken-word soundtrack to the “Pollyanna” movie starring Hayley Mills.

Day 3 – Meet the Beatles (1964): From the opening notes of “I Wanna Hold Your Hand” to the closing bars of “Not a Second Time” every song is a winner.  Our family didn’t own the album, but my best friend’s family did.  Every day after 5th grade we gathered at Jeff Eldridge’s home across Franklin Street from ours.  Jeff’s older brother, Ron was a junior at EHS, and his album; “Meet the Beatles” introduced four lads from Liverpool into our lives. Most afternoons were the same––listen to “Meet the Beatles,” followed by watching “Casper the Friendly Ghost” cartoons and Superman episodes starring George Reeves.  When not playing the Beatles, we cued up Roy Orbison.

Day 4 – Sgt. Pepper (1967): It was the perfect time to be 14 years old.  The Beatles released Sgt. Pepper the very week I said goodbye to 8th grade.  That Summer of Love was our summer of sun. It shined most every day in Seattle, setting a record 67 days without rain.  Most days Mom drove us to Lake Sawyer with the radio tuned to AM 950.  That June the Beatles held seven of the top ten positions on KJR’s Fabulous Fifty record survey, published Fridays in the Seattle P-I.  Each song spawned new mental imagery––from tangerine skies to meter maids.

A month later the Beatles defined the spirit of the era with their follow-up single “All You Need is Love.”  It all added up to the best summer of my life; not to mention more than a few hours staring at the album cover or studying the lyrics printed therein.  To this day when anyone asks my favorite album of all time – there’s one quick answer: Sgt. Pepper.

Day 5 – Tommy (1969):  By the autumn of 1969, most of us had driver’s licenses.  Lester Hall drove his parent’s Ford Fairlane with an state-of-the-art stereo.  We’d drive around Enumclaw from here to there but mostly nowhere.  When doing so we listened to the Who’s “Tommy” so many times I’m surprised the 8-track tape didn’t wear out.  We occasionally rotated Creedence, the Beatles, or CSN to give the Who a rest.

“Tommy” is generally considered the first rock musical. In late April 1971, our senior year of high school, the very first theatrical production of “Tommy” was staged at the Moore Theater.  This world premiere featured a yet unknown, Bette Midler portraying the Acid Queen with show-stopping ferocity. A bunch of us saw it.  I was in heaven.

Forty-five years later I gave the double album a long overdue listen from a remastered copy.  How did “Tommy” hold up?  It starts great. In fact, the Overture is perhaps my favorite number.  At times the album soars with melodies flowing nicely.  It’s an album in the best sense of the word.  But, the story (book in musical-theater parlance) isn’t convincing.  As smart and clever as Pete Townsend was, he’s simply not a great lyricist.  The best songs still shine: “I’m Free,” “Pinball Wizard,” and “See Me, Feel Me.”  The worst, “Fiddle About,” “Cousin Kevin,” and “Tommy’s Holiday Camp” remain clunkers.  I can’t claim it stands the test of time, but back then “Tommy” was the height of musical fashion and evidence of our growing sophistication.

Day 6 – Every Picture Tells a Story (1971): “Maggie May” will forever be embedded as my first song of college.  It was late September when I began my freshman year at U.W.   Rod Stewart’s hit album was the soundtrack for initiation to college life – the picture of my story.  While I’m particularly fond of the “Mandolin Wind,” “Reason to Believe;”; there’s no better song than “Maggie” to put a smile on my face and a song to my lips.

“Wake up Maggie I think I got something to say to you,
It’s late September and I really should be back at school.”

Day 7 – American Pie (1971): Don McLean has a special place in my heart.  His performance at the Paramount on March 17, 1972 was the first concert I ever attended.  I chose my sister, Jeanmarie Bond to be my date.  It was her first concert too.  We dined at ClinkerdaggerBickerstaff & Petts beforehand. It was a swank and trendy restaurant on Capitol Hill.

When introducing American Pie, McLean mockingly mimicked some college professor who wrote a detailed analysis of its lyrics.  The audience sang the words and chorus we knew by heart.  The title song has never loosened its grip.  The album’s second hit single, “Vincent” is a hauntingly beautiful musical evocation of artistry focused on the most stunning of paintings: Van Gogh’s The Starry Night.  If it’s been some time since you last heard the entire album just say, “Hey Siri (or Alexa), play the album American Pie by Don McLean.” You’ll be rewarded.

Day 8 – Past, Present & Future (1974):  My first introduction to Al Stewart came courtesy of FM radio’s penchant for playing extended-length songs like “Nostradamus” and “Roads to Moscow” in the early 1970s.   Only later did I buy the album and discover Stewart’s lyrical genius runs through history.  In fact, side one of this breakthrough album features a song for each of the first five decades of the 20th century.  My love affair with Al Stewart’s music played out nicely over the decades – I’ve seen him in concert five times, more than any other music artist.

Day 9 – All-American Alien Boy (1976):   While in college I liked Mott the Hoople.  Their lead singer and songwriter, Ian Hunter left the group in 1975, the year I graduated.  The following year I was drifting without direction when Hunter released his second solo album.  It struck gold in this listener’s ears. There aren’t many who feel the same way, but I stand by Ian Hunter’s “All-American Alien Boy” as an enduring work of musical art.  “Irene Wilde” is a beautiful ballad of a true story, bus station rejection that inspired Hunter’s rise to stardom.

BTW, Doug Geiger and I had plans to see the Mott the Hoople reunion tour in November 2019, but sadly Hunter developed a severe case of tinnitus.  He was advised by his doctors to discontinue performing until his condition subsides.  Will we ever get the chance to see Mott the Hoople?  Time may soon run out for the 80-year-old Ian Hunter, who I once saw in concert playing with Mick Ronson.

Day 10 – The Stranger (1977):  This record changed the direction of my life.  The album spawned four Top 40 hits: “Moving Out,” “Just the Way You Are,” “Only the Good Die Young” and “She’s Always a Woman to Me.”  But two lesser-known tunes convinced me to take a giant step outside myself.  When working as a management trainee at Seattle Trust & Savings Bank, I grew increasingly frustrated with my chosen direction.  Repeated listening to “Scenes from an Italian Restaurant” and “Vienna” (waits for you) convinced me I needed a change.

Those two songs fortified my courage to quit the job with a month’s notice dated to the one-year anniversary of when I started.  I left for Europe in February 1978 with no set agenda and a budget of $10 a day.  I lived and traveled for the next five months and have never forgotten the debt I owe to Billy Joel for drawing out the courage I couldn’t find by myself.

 

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Alone Again, Naturally

Fifty years ago, a schmaltzy song by an Irish balladeer topped the pop charts for six weeks.  Gilbert O’Sullivan’s surprise hit, “Alone Again, Naturally” ranked number two on Billboard for the year 1972.   Because it doesn’t fit into the classic rock genre, the tune soon faded in popularity and is generally unknown to anyone born after 1980.

On a Saturday night in late October 2015, my Enumclaw high school buddies and I gathered to play poker as we’ve done since our junior high days.  We join together several times each year and call our outings Pokerques, with a barbequed meal part of the bargain.

At a 2013 Pokerque, clockwise from lower left: Bill Wheeler, Keith Hanson, Chris Coppin, Jim Clem, Bill Kombol, Gary Varney, Steve McCarty, Wayne Podolak, Jim Ewalt, Lester Hall holding a photo of a missing, Dale Troy.

That particular night apropos of nothing, Lester told the story behind the song, “Alone Again, Naturally” which centers on the singer’s plan to commit suicide over a wedding that never happened.  Lester assured us this factoid came courtesy of Wikipedia, so we knew it must be true.

At that night’s gathering , I laughed entirely too loud as old friends told stories and we all recounted misspent adventures of youthful revelry.  Having stayed out a little too late, I slept in on Sunday morning.  After breakfast, Jennifer drove our youngest son Henry to his noon soccer game so I found myself alone and naturally opened the iPad.

I checked out Lester’s story.  Clicking on the first Google listing, I cued a YouTube performance with an amazing 27 million views!  The video featured O’Sullivan on piano before a large orchestra complete with a dozen strings, piano, organ, drums, and the distinctive guitar solo which nicely cements the melody.

Sure enough, the first stanza of this mega-hit relates the tale of a jilted lover imagining a trip from an empty alter to tower top where he throws himself down, all to the amazement of congregants who concluded there’s no reason for them to wait any longer so they might as well go home – as did the prospective groom, who lived to write this melancholy song.

An alternate cover to O’Sullivan’s mega-hit.

The second stanza adds to the sorrow of the first and subsequent verses examine a contemplative soul, never wishing to hide the tears, relating – first the death of his father and then his broken-hearted mother – all remembered . . . alone again, naturally.

Isn’t it funny how a sentimental song from the summer of your 19th year calls forth buried memories, none specific but together conjuring a formative feeling?  I probably heard that ballad a hundred times back when Top 40 radio dominated my listening habits, all while driving around in the 1966 Renault that served my transportation needs.  But, I’d never fixated on O’Sullivan’s introductory lyrics, only the concluding verse describing the passing of his father and mother.

O’Sullivan is an Irish singer-songwriter who changed his first name to Gilbert as a play on the names of musical composers, Gilbert & Sullivan the craftsmen behind so many crowd-pleasing operettas from the late 1800s*.  Released in June 1972, the song’s popularity stretched from late summer to early fall, proceeded at number one song by Bill Withers’ “Lean on Me” and succeeded by Three Dog Night’s “Black and White” – recounted herein to set the mood and temper of that summer.

O’Sullivan’s follow-up single, “Claire” reached number two on the U.S. charts a few months later.  His disc sales exceeded ten million in 1972 and made him the top start of the year.  By 1974, O’Sullivan was practically forgotten in America though he continued to enjoy popularity in Great Britain.

From a trip Jenn and I had recently taken to Ireland, I remembered what two Irish musicians who led our Dublin pub crawl told us: Irish songs reflect the nation’s history – they’re either bawdy drinking ditties or sad songs of loss and love.

Having spent the preceding evening playing poker with nine life-long friends; eating, drinking, and laughing so hard my face hurt, I was reminded that we’re all then well into our sixties.  One of our buddies was lost to cancer and another to booze, but the rest have aged gracefully and we treasure time spent together.  We now resemble our dads and how much longer will it be till we look like our grandfathers?

Most of the Pokerque club traveled to Las Vegas in Oct. 2018 where we saw John Fogerty perform a spirited two-hour set at Wynn’s posh Encore Theater. L-R: Chris Coppin, Steve McCarty, Lester Hall, Jim Ewalt, Wayne Podolak, Keith Hanson, Gary Varney, Bill Kombol, Jim Clem.

All of our fathers are gone, and everyone’s mother save one, has also passed away.  One was recently robbed of his daughter, a parent’s worst nightmare.  With each fresh loss, we find ourselves looking to our children and families for solace and meaning.  And, often we look to each other for comfort.  We do so in full recognition that our present health and lives and families cannot be taken for granted.

Yet we still laugh and reminisce and natter and make plans, always looking forward to our next reunion.  And come away thankful for the multiplicity of friendships that have stood so many tests of time with rarely a pool cue drawn in anger.

So in hopeful jest, I offer this toast to my friends who’ve been by my side for sixty-plus years: May we all live another three decades; and may I be there to cheer your good fortune when each of us celebrates the centennial of his life.

*  If you want to see a spirited and historical account of William Gilbert and Arthur Sullivan’s music-making genius, watch the superb 1999 movie, “Topsy-Turvy.”

Link to the “Alone Again, Naturally” video referenced above: https://youtu.be/D_P-v1BVQn8

 

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Back in the Summer of ‘69

I didn’t get my first real six-string.  And Enumclaw’s five-and-dime was the last place this teenager wanted to be.  The allure of candy cigarettes and cheap toys had long since passed.  They may have been the best days of Bryan Adams’ life, but for me the Summer of ’69 was a middling byway on a slow road to adulthood.

Summer started off with a bang!  Literally! A Fourth of July bag of fireworks exploded on the front hood of my parent’s Ford LTD after an errant firecracker found its way in.  The following Monday, the Ltd with tarnished hood traveled three blocks to Enumclaw City Hall for my driver’s test.  Scoring 100 on the written and 96 in the car, I went home two days after my 16th birthday with a license to drive.

Woodstock Music Festival logo.

The summer of ’69 sounds so moving in retrospect – astronauts on the moon, hippies at Woodstock, Charles Manson in L.A, Kennedy on Chappaquiddick.  That wasn’t my summer.  Mine was frankly boring.  I didn’t have a full-time job.  Well, I actually had two part-time jobs: Office boy at Palmer Coking Coal manning the telephone and scale earning the princely sum of $5 for my five-hour shift. The second gig, as high school sports reporter for the Courier-Herald, I inherited from my brother, Barry.

I worked on July 5th, my 16th birthday earning $5, the cash receipt signed by my dad, Jack Kombol. It would mark the last time I ever worked on my birthday.

In the slow months of July and August, that second job meant little more than tracking down the two Franks of Enumclaw’s summer sports: Manowski and Osborn, for league scores and standings. That took all of a couple hours before Monday’s deadline.   During the rest of the week, tedium oozed.

I do remember going to the drive-in movies once at the recently opened Big ‘E” in Enumclaw and another time at Auburn’s Valley 6.  We rode in Wayne’s car.  I didn’t really see many buddies as most had jobs or played summer baseball, a sport I’d left two years prior. A very special thing did happen – one night Dad and I walked to the Roxy to see the film: “The Prime of Miss Jean Brodie.” It was likely the only time I went to a movie, just Dad and me.

That summer our family’s traditional vacation of one week in Grayland, and a second at Beacon Point on Hoods Canal ended.  The old-fashion cottage resort at Beacon Point shuttered and our joint vacations with the Cerne family were no more.  Those trips were the highlight of every summer since I could remember.  Barry graduated in June and headed to Alaska seeking his fortune. He returned soon enough finding out, that even in Alaska jobs don’t grow on trees.

Jeanmarie shipped out to Wilsall, Montana with her good friend, Cindy Johnson to help at her aunt’s cattle ranch.  Jeanmarie’s stay was cut short when Cindy’s grandpa died suddenly.  So the four remaining Kombols packed up and drove to Yellowstone retrieving Jean, coupled with a short tour of the park.  It seemed anticlimactic compared to our summer vacations of yesteryear.  The times they-were-a-changing.

Bill, Jack, Jeanmarie, Dana at Yellowstone, July 1969.  Mom as always was taking the picture.

I clearly remember the Apollo 11 moon landing on July 24th.  I remember not watching it.  It was an overcast day.  I bandied about the neighborhood, over at Jim Olson’s home, then here and there.  In the living room, Dad and Henry D. Gillespie, our Australian foreign exchange student sat transfixed on the sofa absorbed for hours.

Popping in that evening, I glanced at the TV then headed back outside.  I wasn’t slightly interested and had no appreciation for the magnitude of that moment – to me it seemed little more than a grainy television experience that went on for hours.  It turned out that Neil Armstrong’s one small step was viewed by more than 500 million across the globe.  In retrospect, my lack of interest was one giant failure to leap.

Henry D. Gillespie was a foreign exchange student from Australia who lived with our family for a year, from Dec. 1968 through Nov. 1969. This photo was featured in the 1969 Enumclaw High School yearbook.

Nationally, the Manson cult murders were a minor headline in the Seattle P.I., the newspaper I studiously read each morning.  Kennedy’s Chappaquiddick high-jinx was a much bigger story, which I earnestly followed.  I’d become a news junkie, with alternating subscriptions to Time magazine and U.S. News & World Report.  But, my perusal of the news was cursory – Woodstock in mid-August?  It didn’t register for me.  It wasn’t until the following year when Steve McCarty and I saw the movie that I even grasped what a music festival was.

What did register was a peevish, late-night, television personality named Bob Corcoran.  He hosted a channel 13 talk show.  Corcoran was the prototype for a mad-as-hell-and-not-going-to-take-it-anymore character, later seen in “Network.”  Half his audience was bored teenagers listening to drunken adults who called in to converse with Bob.  When teens placed a call – you could always tell – they’d make rude remarks, before the inevitable kill button and dial tone.  Between callers, Corcoran offered screeds on controversial issues, then ceaselessly promoted Tacoma’s B & I Circus store.

Bob Corcoran, our late-night TV fascination in the Summer of ’69.

That summer, our family friends, the Hamiltons were staying with us, having just moved back from London.  Their oldest son, Scott was a year older and we took over Barry’s bedroom in his absence.  There Scott and I watched Corcoran, howling at the inanities Bob spewed forth each night.  We giggled mindlessly at the mere mention of his name.  His show was so bad it made perfect sarcastic sense to our teenage-addled brains.  We even tried calling his show once but hung up after waiting on hold too long.

Corcoran later parlayed his quirky television stardom into politics by running for Congress in 1972.  His shtick was rabble-rousing, stick-it-in-their-face, populist rant, but in the primary, he was soundly defeated by Julia Butler Hansen.  How I ended up with the Elect Bob Corcoran to Congress ruler, I’ve long since forgotten.*

Corcoran used his television notoriety to promote a run for Congress, but failed miserably.

Night after night we tuned into Bob and played chess.  I’d taken up the sport during my just-ended sophomore year after reading an article in the Hornet student newspaper announcing formation of a new chess club.  My game improved quickly, landing me one of the top five boards.

The student newspaper, Hornet announcement in the Sept. 28, 1968 issue that changed my high school trajectory.

Scott Hamilton was a decent chess player who desperately wanted to win.  Late each night, we played game after game, again and again – 49 straight losses before Scott finally won.  But playing chess was just a way to pass time. Our real goal was to laugh at Bob Corcoran.

Scott Hamilton in 1967, one-year earlier when our family visited theirs in West Byfleet, a suburb of London

Amazingly, those memories are the most poignant of my summer of ’69.  The summer I turned 16, during one of the most dynamic times of the Sixties, when all the world’s charms lay before me – staying up late to watch a goofball TV talk show host and playing chess were my highlights.

All the same, everything turned out fine.  Returning to high school as a junior, my driver’s license landed me behind the steering wheel of the family’s second car, a 1965 Renault.  Our winning chess team became an important cog in my developing personality.  That semester I took an Economics class from Wes Hanson that ultimately directed my life (B.A., Econ, U.W., 1975).  Second semester I joined the Hornet staff and learned how to write.

Mr. Hanson at the lectern, a typical pose for the teacher whose Econ class led to my college major.

Another favorite, English lit was taught jointly by Miss Thompson and Mrs. Galvin.  Novels like “Catcher in the Rye” and “A Separate Peace” jolted a new sense of existential feelings through my all-to-logical heart.  “1984” and “Lord of the Flies” called into question what that heart was made of.  We read “Romeo & Juliet” out loud in class.  Franco Zeffirelli’s movie version had recently captured the nation’s attention, so our whole class attended a special showing one night at the Roxy.

Life accelerated.  The following summer, I worked 12-hour days selling popsicles, fudgesicles, and ice cream sandwiches.  High school life gave way to feelings of liberation and control.

Looking back on things, that summer of ‘69 was a quirky way station on the road through life – no longer a boy, but not yet a man.

* One day a few weeks before writing this essay, I ruffled through my desk drawer and grabbed for a straight edge.  Out came a Bob Corcoran for Congress ruler.  I have little idea how it landed there.  It came decades past from a Corcoran campaign booth brimming with swag at the Puyallup Fair.  Only serendipity can explain how that ruler appeared while writing this essay.

Categories
Musings

Come Saturday Morning

One’s 15th year of life is particularly fraught with change.  Childhood dreams give way to adult realities.  Adolescent collections such as baseball cards, coins, and comics sadly fall out of style – better left to tweens and those still trapped by out-of-fashion obsessions.  Jobs and college take center stage.  College prep means growing loads of homework and a heightened seriousness about school.  Grades play a more prominent, but still minor role in high school hierarchies.

If you’re of average athletic ability, competitive sports are increasingly past tense.  Pickup games with friends are fading options as those holding driver’s licenses abandon the glory of sporting fields for cruising in cars.  In Enumclaw, they called it posing – driving up and down Griffin Ave, from east to west and back again waiting for something to happen.  That September, we were sophomores all without driver’s licenses.  Without a license or car, we principally relied on parents, friends, or sometimes a special older sibling.

Girls grew progressively more attractive, though self-doubts played havoc with one’s desirability.  Acne pops up at all the wrong times and in all the wrong places. Growth spurts (or lack thereof) pit short boys against tall men, who share the same birth year.  Somerset Maugham didn’t miss the mark by much when noting the world is an entirely different place for a man of 5’7” to one of 6’2”.

In 1968, Chris Coppin had just moved back to Enumclaw following a five-year absence.  I’d first met Chris eight years earlier at Kibler Elementary.  There we’d shared a second-grade teacher, Mrs. Stobbs. But an earlier introduction came through his younger brother, Ed whose pet turtles inhabited a two-gallon glass jar with rocks, and a skiff of water.  I made repeated turtle visits to the Coppin home.  Chris and I were friends until 4th grade when their family moved to the Bay Area, where Mr. Coppin, a flight engineer for Pan Am was transferred.

Chris Coppin, left and Bill Kombol, right from our 2nd grade class photo. This collage is an optical illusion as Chris was (and still is) a half a foot taller than me.

At that young age, it isn’t long before friendships are forgotten.  In junior high, out of sight means out of mind.  In short order, Chris was a faded memory.  But like so many mysteries of youth, the Coppins moved back and Chris resurfaced.  We were soon again fast friends, meeting at their stately white house at Griffin and Franklin, built in 1922 by a local timber baron, Axel Hanson of the White River Lumber Company.  It was the biggest home in Enumclaw and had a front parlor, fashioned as a billiards room where we played pool after school.  The Coppin digs were ground zero during our high years.

With twelve kids, their household was a beehive of activity.  Mrs. Coppin was unflappable, often in the kitchen but always ready for a short chat that included a kind word and light-hearted banter.  When home, Mr. Coppin was typically puttering away with something.  His was of a quieter manner, still willing to engage in probing conversation, the better to pry us from our shells.  As for the cluster of Chris’ younger siblings, mostly girls, it was a constant case of asking, “Which one is that?”

The Coppin family in their stately home at 1610 Griffin Ave., circa 1968.  Chris is lower right.  Dan is the top row, right holding his sister, Alice.

His four older brothers were different, distinctive, and spirited.  Dan was the most inviting.  He was four or five years older than us.  And during that magical year, Dan was our ticket to ride to the movies.  I’m not talking about the Enumclaw Roxy, and later the Chalet.  Dan packed us in his car and off we’d drive to Seattle, destined most often for the UA-70 and UA-150 theaters at 6th and Lenora.

In 1969, they were brand new, state-of-the-art movie houses for the masses – their massive screens nearly outdone by amazing sound systems.  The Cinema 70 screen was equipped for 70mm films and UA-150 once showcased “Star Wars” for an entire year.  On occasion, we’d go to the Cinerama, another theater capable of projecting 70-millimeter films on its huge curved screen.

The UA-70 and UA-150 were located at 6th & Lenora in the Denny Regrade area of downtown Seattle.

Each was magnificent.  And for a bunch of teenagers from Enumclaw, they were a taste of sophistication – plus exposure us to films that wouldn’t play back home for another six months, if ever.

The outings were usually spontaneous.  We’d be hanging around the pool table Saturday afternoon listening to records, when Dan wandered in asking, “You guys want to see a movie?”  He normally had one in mind.  Phone calls were made and a couple of hours later we piled into Dan’s car for the trip to Seattle.

How I wish our conversations had been recorded – the shouts, giggles, chitchat, and nonsense.  We purchased our $1.50 tickets, double the price at the Roxy.  Someone bought popcorn.  I have no idea how many times Dan took us, but these movies jump to mind: “2001, A Space Odyssey,” “True Grit,” “Midnight Cowboy,” “The Sterile Cukoo,” and “If.”

Some of the movies Dan took us to, as best we can remember. “If” was a personal favorite (collage by Oliver Kombol).

It was truly a golden age, not just for movies but being alive to changes experienced during a time when fashion and culture were turned upside down.  Most discrete memories of the specific movie outings are gone, and only formless feelings remain.  But what I remember well were the books we read and movies we saw those years.

There . . . caught in the rye of Holden Caulfield’s world of phonies, with a growing awareness that we were living under the suspicious eye of George Orwell’s Big Brother.  All the while, transfixed within gorgeous romances like Franco Zeffirelli’s “Romeo and Juliet,” seen weeks after reading the play in Mrs. Galvin and Ms. Thompson’s joint English class.

And equally enthralled by all-night showings at the just-opened, Big E drive-in of Sergio Leone’s trilogy of Clint Eastwood spaghetti westerns: “Fistful of Dollars,” “For a Few Dollars More,” and “The Good, the Bad, and the Ugly.”  Or sometimes down to Auburn for the Valley 6 Drive-in.

The novel, “Wuthering Heights” was difficult to absorb.  Perhaps just as well, for it was the ‘best of times and the worst of times,’ the opening line we memorized from Dicken’s “Tale of Two Cities.” Our senior year with Mr. Bill Hawk (who every girl loved and every boy envied) was pure joy as he read out loud to us the entirety of Shakespeare’s “Hamlet” and “Macbeth.”

Mr. Hawk, left, in Senior English lit before a class of admiring students gathered around his desks as he smiles approvingly.

And what to make of the curious worlds described in “A Separate Peace” and “Lord of the Flies,” for there was something in that youth-filled air.  Change was everywhere, within us and without us.  One summer night Dad and I walked to see, “The Prime of Miss Jean Brodie.”  It was one of the few times I remember going to the movies with Dad.

“The Sterile Cukoo” starred Liza Minnelli and featured the song, “Come Saturday Morning” in a 1969 tale of love between college freshmen.

To this day, I remain ever thankful to Dan Coppin, Chris’ older brother who asked us if we wanted to see a movie.  For, he was our chauffeur through a tiny part of those precious high school years.  And more than 50 years later, the lyrics from one of the movie songs still play in my head:

“Come Saturday morning, just I and my friends,
We’ll travel for miles in our Saturday smiles,
And then we’ll move on.
But we will remember, long after Saturday’s gone.”

 “Come Saturday Morning” was the soundtrack theme song from “The Sterile Cukoo” and a minor hit single for the Sandpipers.