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Ten Album Turning Points – Desert Island Discs

Who didn’t love album covers?

In Tom Stoppard’s play, “The Real Thing,” the lead character, Henry can’t figure out which songs to pick when he’s slated to appear as the castaway on Desert Island Discs.  The problem is Henry likes mindless pop music, but he’s a snob who’s afraid to admit he like pop music, so struggles to find songs and performers those of his intellectual class should like.  His wife suggests a more pragmatic approach: pick records associated with turning points in his life.

My list follows the turning point theory–– records that wormed into my ears during special moments experienced early in life.  There are plenty of albums I grew to love after these, but none captured my heart and soul like those from my youth.

I compiled my Desert Island Discs during the early days of Covid-19 when the country was shutting down and a bored citizenry sought new ways to amuse themselves by posting lists of favorite albums.  April Fools’ Day seemed a fitting day to start, so with thanks to Doug Geiger’s original Facebook invitation and Jim Olson’s posts of musical inspiration, I posted these favorites from April 1-10, 2020.

Day 1 – The First Family (1962): Though it’s April Fools’ Day, this is no joke . . . though Vaughn Meador’s First Family sure traded in them.  It was the first record I listened to all the way through time and time again.  It was my 9-year-old introduction to political humor, delivered with Kennedy-style Boston accents plus world leaders whose names I still remember: De Gaulle, Khrushchev, Ben-Gurion, and Castro among them.  This spoken-word comedy album spent 12 weeks as #1 on the Billboard charts selling over 7.5 million copies.  The Kombol family’s copy of the album, listened to so many times, was never played again after Nov. 22, 1963.

Day 2 – Modern Sounds in Country & Western Music (1962): “I Can’t Stop Loving You” was the #1 hit, and Ray Charles’ foray into C&W was what a nation listened to that year.  The album spawned four singles and everyone liked it: kids, adults, even grandparents.  I listened to it once again this morning.  Its soulful, jazzy,  easy-listening, country-feel, sounds just as sweet today as it did 58 years ago.  This was one of the couple dozen albums our family-owned.  My sister, Jeanmarie and I regularly rotated Ray Charles’ “Modern Sounds” with soundtracks from “Oklahoma” and “The Music Man” plus our own personal favorite–– the spoken-word soundtrack to the “Pollyanna” movie starring Hayley Mills.

Day 3 – Meet the Beatles (1964): From the opening notes of “I Wanna Hold Your Hand” to the closing bars of “Not a Second Time” every song is a winner.  Our family didn’t own the album, but my best friend’s family did.  Every day after 5th grade we gathered at Jeff Eldridge’s home across Franklin Street from ours.  Jeff’s older brother, Ron was a junior at EHS, and his album; “Meet the Beatles” introduced four lads from Liverpool into our lives. Most afternoons were the same––listen to “Meet the Beatles,” followed by watching “Casper the Friendly Ghost” cartoons and Superman episodes starring George Reeves.  When not playing the Beatles, we cued up Roy Orbison.

Day 4 – Sgt. Pepper (1967): It was the perfect time to be 14 years old.  The Beatles released Sgt. Pepper the very week I said goodbye to 8th grade.  That Summer of Love was our summer of sun. It shined most every day in Seattle, setting a record 67 days without rain.  Most days Mom drove us to Lake Sawyer with the radio tuned to AM 950.  That June the Beatles held seven of the top ten positions on KJR’s Fabulous Fifty record survey, published Fridays in the Seattle P-I.  Each song spawned new mental imagery––from tangerine skies to meter maids.

A month later the Beatles defined the spirit of the era with their follow-up single “All You Need is Love.”  It all added up to the best summer of my life; not to mention more than a few hours staring at the album cover or studying the lyrics printed therein.  To this day when anyone asks my favorite album of all time – there’s one quick answer: Sgt. Pepper.

Day 5 – Tommy (1969):  By the autumn of 1969, most of us had driver’s licenses.  Lester Hall drove his parent’s Ford Fairlane with an state-of-the-art stereo.  We’d drive around Enumclaw from here to there but mostly nowhere.  When doing so we listened to the Who’s “Tommy” so many times I’m surprised the 8-track tape didn’t wear out.  We occasionally rotated Creedence, the Beatles, or CSN to give the Who a rest.

“Tommy” is generally considered the first rock musical. In late April 1971, our senior year of high school, the very first theatrical production of “Tommy” was staged at the Moore Theater.  This world premiere featured a yet unknown, Bette Midler portraying the Acid Queen with show-stopping ferocity. A bunch of us saw it.  I was in heaven.

Forty-five years later I gave the double album a long overdue listen from a remastered copy.  How did “Tommy” hold up?  It starts great. In fact, the Overture is perhaps my favorite number.  At times the album soars with melodies flowing nicely.  It’s an album in the best sense of the word.  But, the story (book in musical-theater parlance) isn’t convincing.  As smart and clever as Pete Townsend was, he’s simply not a great lyricist.  The best songs still shine: “I’m Free,” “Pinball Wizard,” and “See Me, Feel Me.”  The worst, “Fiddle About,” “Cousin Kevin,” and “Tommy’s Holiday Camp” remain clunkers.  I can’t claim it stands the test of time, but back then “Tommy” was the height of musical fashion and evidence of our growing sophistication.

Day 6 – Every Picture Tells a Story (1971): “Maggie May” will forever be embedded as my first song of college.  It was late September when I began my freshman year at U.W.   Rod Stewart’s hit album was the soundtrack for initiation to college life – the picture of my story.  While I’m particularly fond of the “Mandolin Wind,” “Reason to Believe;”; there’s no better song than “Maggie” to put a smile on my face and a song to my lips.

“Wake up Maggie I think I got something to say to you,
It’s late September and I really should be back at school.”

Day 7 – American Pie (1971): Don McLean has a special place in my heart.  His performance at the Paramount on March 17, 1972 was the first concert I ever attended.  I chose my sister, Jeanmarie Bond to be my date.  It was her first concert too.  We dined at ClinkerdaggerBickerstaff & Petts beforehand. It was a swank and trendy restaurant on Capitol Hill.

When introducing American Pie, McLean mockingly mimicked some college professor who wrote a detailed analysis of its lyrics.  The audience sang the words and chorus we knew by heart.  The title song has never loosened its grip.  The album’s second hit single, “Vincent” is a hauntingly beautiful musical evocation of artistry focused on the most stunning of paintings: Van Gogh’s The Starry Night.  If it’s been some time since you last heard the entire album just say, “Hey Siri (or Alexa), play the album American Pie by Don McLean.” You’ll be rewarded.

Day 8 – Past, Present & Future (1974):  My first introduction to Al Stewart came courtesy of FM radio’s penchant for playing extended-length songs like “Nostradamus” and “Roads to Moscow” in the early 1970s.   Only later did I buy the album and discover Stewart’s lyrical genius runs through history.  In fact, side one of this breakthrough album features a song for each of the first five decades of the 20th century.  My love affair with Al Stewart’s music played out nicely over the decades – I’ve seen him in concert five times, more than any other music artist.

Day 9 – All-American Alien Boy (1976):   While in college I liked Mott the Hoople.  Their lead singer and songwriter, Ian Hunter left the group in 1975, the year I graduated.  The following year I was drifting without direction when Hunter released his second solo album.  It struck gold in this listener’s ears. There aren’t many who feel the same way, but I stand by Ian Hunter’s “All-American Alien Boy” as an enduring work of musical art.  “Irene Wilde” is a beautiful ballad of a true story, bus station rejection that inspired Hunter’s rise to stardom.

BTW, Doug Geiger and I had plans to see the Mott the Hoople reunion tour in November 2019, but sadly Hunter developed a severe case of tinnitus.  He was advised by his doctors to discontinue performing until his condition subsides.  Will we ever get the chance to see Mott the Hoople?  Time may soon run out for the 80-year-old Ian Hunter, who I once saw in concert playing with Mick Ronson.

Day 10 – The Stranger (1977):  This record changed the direction of my life.  The album spawned four Top 40 hits: “Moving Out,” “Just the Way You Are,” “Only the Good Die Young” and “She’s Always a Woman to Me.”  But two lesser-known tunes convinced me to take a giant step outside myself.  When working as a management trainee at Seattle Trust & Savings Bank, I grew increasingly frustrated with my chosen direction.  Repeated listening to “Scenes from an Italian Restaurant” and “Vienna” (waits for you) convinced me I needed a change.

Those two songs fortified my courage to quit the job with a month’s notice dated to the one-year anniversary of when I started.  I left for Europe in February 1978 with no set agenda and a budget of $10 a day.  I lived and traveled for the next five months and have never forgotten the debt I owe to Billy Joel for drawing out the courage I couldn’t find by myself.

 

Categories
Musings

First Tastes of Mortality

“Whatever became of the moment when one first knew about death? There must have been one, a moment, in childhood when it first occurred to you that you don’t go on forever.” – Tom Stopppard, Rosencrantz and Guildenstern are Dead

More than fifty years ago, two grandparents died on the same day.  It was the last day of summer, and the first time anyone close to me had died.

A dragon lives forever but not so little boys
Painted wings and giant rings make way for other toys.
One grey night it happened, Jackie Paper came no more
And Puff that mighty dragon, he ceased his fearless roar.
                                    – Leonard Lipton / Peter Yarrow

Released in Jan. 1963, Peter, Paul & Mary’s “Puff the Magic Dragon” soon topped the charts.

I remember those first thoughts about dying.  It was the spring of 1963 and I was nine years old.  Grandma and Grandpa Morris lived in a large, white, country home west of Enumclaw on McHugh Street.  The radio played in the background.  The number one song was “Puff the Magic Dragon” by Peter, Paul & Mary.  It’s a children’s song wrapped in fabled lyrics released during the height of the folk era.  I’d heard it before, but never fully absorbed this line: “A dragon lives forever, but not so little boys.”  My tenth birthday would be in a month or so.

Grandma (Nina Marie Morris) was in the early stages of dementia which even a boy could recognize.  She was easily confused.  One day, Billy Hawthorne (the son of Grandma’s part-time caregiver) and I played a cruel trick on her by hiding in the closet.  We watched her search for us in vain.  After frantic calls we reappeared, only to see a vacant look of despair on her bewildered face.  Mom explained she had hardening of the arteries, causing blood to flow slowly to her brain, meaning she couldn’t think as clearly as before.  She was ill and wouldn’t get better.  I felt bad about our trick.

Grandpa and Grandma – Jack and Marie Morris, a night on the town in San Francisco, 1959.

The song ended but a feeling lingered – I wouldn’t be a little boy much longer.  Just like Jackie Paper, my imaginary dragons and toy soldiers would soon be gone.  Those wistful feelings of melancholy floated in the wind like the down of a dandelion.

One evening that summer, I lay in bed.  It was a Friday or Saturday night.  Next to my bed was a cheap AM radio.  Late at night, I spun the dial picking up a distant station in Salt Lake City and listened to the final innings of a baseball game.  It ended and the nightly news was read – “At 12:01 a.m., a convicted murderer on death row will be executed by firing squad.  Growing tired I turned off the radio and saw a blindfolded prisoner led to a brick courtyard.  The moment passed but the memory remained – a boy, the radio, a distant broadcast, the bleakness of death.

Bad posture, Billy at Grandma & Grandpa Morris home, Spring 1967.

In the 14th year of my life, the grim reaper appeared.  It was 1967.  Music defined my world and I delighted in its sounds.  Newspapers called it the “summer of love.”  For me it was a summer of friends, family, fun . . . and Sgt. Pepper.  Each morning brought new sounds and adventures.  The sun shone day after rainless day, for so long it set a record – 67 days without rain.  The bluest skies you’d ever seen were in Seattle.

That September, I entered the final year of junior high as a 9th grader.  Three weeks later that cozy world was disquieted by the death of two grandparents: Grandma Morris and Papa Kombol.  On the same day, my father lost his father, and my mother lost her mother.  In a way, this double death was a tonic for both parents.  They told us kids of feeling like orphans, leaning on each other – weathering funerals and wakes, one after the other.  September 21st was the last day of summer . . . and the autumn of my youth.

Papa Tony Kombol and Grandma Nina Marie Morris died on the same day.

Both grandparents were elderly: 82 and 77, yet important fixtures in life.  Papa (Tony Kombol) babysat me when I was four and five.  Mom dropped me off at their home near Elk Coal where I’d follow Papa doing chores, fixing lunch, then put me down for a nap.  Legally blind from a 1925 coal mining accident, he stayed home while Grandma Lulu taught school in nearby Selleck.  Needing to be near Enumclaw’s medical facilities, Papa stayed at our home the last few weeks of his life.

Grandma Morris was the first person I remember reading to me.  We flipped through “Two Little Miners” so many times I could picture each page.  I boarded an airplane for the first time in late June 1962, a Boeing 707, when she and Grandpa took me to San Francisco.  We braved chilly Candlestick Park and watched my first major league baseball game.  The Giants won the pennant that season.

When in San Francisco Grandpa always stayed at the Maurice, a businessman’s Hotel near Union Square where that day we had our shoes shined, July 1962.

We dined in the Starlight Room of the Sir Francis Drake Hotel, celebrating  great-aunt Ruth’s 75th birthday . . . and my 9th.  I still have the menu dated July 3, 1962.  Two weeks earlier, Tony Bennett released the song, “I Left My Heart in San Francisco.”

Great Aunt Ruth’s birthday was July 4th and mine July 5th, so Grandpa Morris took us to the restaurant at Sir Francis Drake Hotel.  It was a fancy place with the date  printed at the top of the menu.  The waiter gave it to me as a souvenir.

In later years Grandma Morris was confined to the Bethesda Manor nursing home not far from our home, falling deeper into the darkness of dementia.  Mom visited her daily, sometimes twice.  I’d go on occasion, but in time she no longer knew me.

Jack & Pauline Kombol, late 1967.

Over the coming weeks, I began to imagine life without parents.  It was the year Mom stopped tucking me in and saying nighttime prayers together.  Alone in bed, save for a pink teddy bear won at the Puyallup Fair, I thought of the future.  One day Mom and Dad will surely die, just like Grandma and Papa.  A profound sense of sorrow consumed me.  Visualizing their deaths, I cried myself to sleep each night.  I tried to figure a way out – what if they never died?  Maybe I’d die first and be spared the heartache?  Whatever scenario I concocted, the end was always the same – falling asleep to tears.  The end of their lives and my childhood hung in the balance.  But I knew not how or when.

Unbeknownst to me, the thoughts of that 14-year-old boy were long ago known by Stoic philosophers.  The anticipation of hardship softens its eventual blow.  A Stoic prepares for the future by focusing on the worst possible outcome, a Latin principle called premeditation of adversity.  Seneca advised his followers to rehearse ruinous scenarios “in your mind – exile, torture, war, shipwreck,” thereby robbing the future of its awful bite.

By morning, I was awakened by Mom and skipped downstairs to find a hearty breakfast on the kitchen table.  Jean and I walked to the Junior High, a three-story, brick building four blocks away.  There I roamed halls, diagrammed sentences, and played with friends after school.

The male tear ducts shrink as boys become men.  It becomes more difficult for men to cry.  Evolutionary psychologists can no doubt tell you why.  My tears were gone in time.  Ninth grade led to new friendships and adventures.  I turned out for basketball and made the team.  I raised tropical fish in an aquarium.  At semester’s end, I earned my first perfect report card, all A’s.  As a special treat, Dad took me to the Four Seasons in downtown Enumclaw for Chinese food.  I felt pride in the glow of my father’s love.

Twelve years later, I wrote a poem to read at his funeral.  The lines recalled the mournful feelings of that earlier time in life:

The last day we expected was the morning that we feared feared                          the nights we cried so long ago have come to rest right here.                            And so we’ll cry these tears of pain from sorrow we must store                          the tears we have are tears we’ve cried a thousand times before.

Father and son, Jack Kombol and Bill, Lyon, France, Feb 1978, a year before he died.

In February 1968, Barry and I picked copper strands from piles of rocks and sticks at the Mine #11 wash plant in Black Diamond.  The wire came from blasting caps used when dynamite dislodged coal at the Rogers #3 mine.  Seven years later I’d work in that mine, learning just how those wires were used.  Over several weekends we collected nearly a pickup load of coiled yellow wire, then burned off the plastic coating.  Dad sold the copper for 40 cents a pound at the recycling yard.  It was souvenir money for us four kids to use during our family’s forthcoming trip to Europe later that spring.

We missed the last few weeks of school.  In Ireland, England, Wales, and the continent we saw historic sights, tasted new foods, and explored a world far removed from our own.  We also visited the embodiment of death – Dachau, the Jewish concentration camp near Munich.  The visitor’s center displayed black and white photos of emaciated bodies, showing all manner of depravity.

Mom kept a journal of our trip so I know the day we visited Dachau – May 31, 1968.

The guide told of Jewish children with tattooed numbers on bony arms – herded from rail cars, not knowing their fate. We walked through the barracks, gas chambers, and crematoriums where thousands died at the hands of their Nazi henchmen. We saw death on an unimaginable scale.  I’ve never forgotten that visit or the sign on the entrance gate: Arbeit macht frei. “Work sets you free.” Mom read its translation from Arthur Frommer’s Europe on $5 a Day,

The sign on the gate as you enter Dachau – Work sets you free.

Three weeks after coming home, I turned 15.  Four days later a boy I’d grown up with died.  John Sherwood attended our Presbyterian church.  His parents, Earl and Isabelle Sherwood were our youth group leaders and taught us Sunday school.  John was a troubled lad who’d just flunked 10th grade.  On a warm summer evening in early July, John went to a party and guzzled 190-proof Everclear from a bottle.  Mr. Sherwood found his son slumped over the front seat of their car just after midnight.  The Enumclaw police never figured out who provided the bottle, though some teens in town surely knew.

He was the first contemporary I’d known who died.  John was 16.  The coroner’s jury attributed his death to “consuming excessive amounts of liquor furnished by a person or persons unknown.”  The Courier-Herald ran articles linking his death to narcotic and alcohol abuse among local youth in 1968.  Glue sniffing was a particular concern that year.

The following spring our Cascadian yearbook printed his photo in remembrance, followed by a short poem:

John Sherwood’s page in our high school yearbook.

He is not dead, this friend not dead,                                                           But in the path we mortals tread                                                              Got some few, trifling steps ahead                                                             And nearer to the end;                                                                             So that you too, once past the bend,                                                         Shall meet again, as face to face, this friend                                                 You fancy dead.     – Robert Louis Stevenson   

Sporting a Nehru jacket on my first day of high school as a sophomore, Sept. 1968

                                                                                                          When you’re young, five years is practically forever.  “Puff the Magic Dragon” was a distant memory.  Heading to high school in September new adventures emerged.  I started a job as the Saturday boy at Palmer’s mine office in Black Diamond.  I joined the chess team and found a new sport calling.  By summer, I’d have a driver’s license plus two more jobs to fill my days.  Papa and Grandma were fading memories.

As boyhood drew to a close, a young man began to emerge.  My horizons broadened.  Ahead of me lay many deaths . . . relatives, classmates, and loved ones.  Those first tastes of mortality would always be with me, but  childhood fears were fading.  A new set of adolescent anxieties gripped me soon enough.  I was growing up and the world was growing bigger.