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XIII

After receiving several of my CD compilations, a fraternity brother, Brad Caldart, suggested creating one with my top ten songs. I took his challenge to heart and began compiling lists of possible entries.  That was well over a year ago.  I’ve promised several times to quit producing CD collections, only to do so again and again.

So, I beg forgetfulness and share my latest anthology.  To no surprise, it’s more than ten songs.  The profundity of the occasion demanded no less than XIII.  And like the Super Bowl, I chose Roman numerals to convey their renown.  I searched for songs that say something, and to no surprise, many have appeared on previous compilations.  There are several new ones.  As is my custom, what the songs mean to me, and why they matter, is explained below.  They carry one common theme – nostalgia.

I. Big River (1995) This song first came to my attention in October 2021. On an early Saturday morning, I prepared to watch the Tottenham soccer match played at Newcastle.  The home team celebrated their new Saudi owners by playing over the stadium loudspeakers Jimmy Nail’s wistful remembrance about growing up in Newcastle.  It’s focused on the collapse of the Newcastle shipbuilding industry on the River Tyne where his father worked.  The Neptune shipyard was the last to go, Jimmy heard on the radio, and then they played the latest No. 1.

It took several listenings, before I heard the line, “that was when coal was king,” the name of my newspaper column since 2007.  Sting grew up nearby and expressed similar sentiments in his 2013 album, The Last Ship, which spawned a 2014 musical of the same name with Sting in the starring role.  Through blind luck, we caught his performance in L.A., a month before Covid shut down the nation.

 

II. Tambourine Man (1965) I listened to this song continuously during college. Why – the poetic lyrics, the storytelling parable, and conclusive end, “let me forget about today until tomorrow.”  This song appeared on my first cassette compilation, The Best of December 6, 1978.

 

III. Superman’s Ghost (1987) Growing up, I was a huge fan of Superman, the comic books, the TV show, and all things to do with superpowers. After school, found me planted at home or with a friend in front of a TV watching Adventures of.  Though George Reeves’ death by suicide came in 1959, my innocent ears didn’t hear about it until several years later – in the school yard when this silly joke was offered, “Do you know why George Reeves shot himself? – He thought he was Superman.”  Don McLean captures more than just his death in his poignant song.

 

IV. Questions (1976) – I was so enraptured by Mannfred Mann and Chris Slade’s lyrics that my sister, Danica inscribed them for me in calligraphy on old-fashioned parchment paper. I’ve kept it in my Webster’s Third International Dictionary under the letter Q.  Another song from the collection of Dec. 6, 1978.

 

V. The Last Campaign Trilogy (1974) – Several years back, upon asking Siri to play John Stewart songs, this tune from his live double-album Phoenix Concerts came on. From its opening lyrics (“It was more than Indiana, more than South Dakota, more than California, More than Oregon”), I immediately understood the reference to Bobby Kennedy’ ill-fated run for president.  Stewart traveled with the campaign playing songs before Kennedy took the stage.

A political junkie in the 9th grade, I followed each primary and was fascinated by the three-way races in both parties: D’s – McCarthy, Humphrey, Kennedy; R’s – Rockefeller, Reagan, Nixon.  Stewart’s allegorical song is about much more.  Our family was in Vienna that fateful morning, where the newspapers’ front pages showed a Hispanic waiter by his side, offering comfort to the fallen senator.  In the hotel lobby, an old Austrian woman, her greying hair wrapped in a black scarf, hissed, “Johnson, Johnson!”

 

VI. A Winter’s Tale (1982) – This song was written for David Essex and spent ten weeks on the British charts peaking at No. 2. I discovered it on the Moody Blues’ 2003 album,   Tim Rice, famous for Jesus Christ Superstar and Evita wrote the lyrics.  Great lyricists invest heartfelt meaning into a mere 156 words.

 

VII. I Was Only Joking (1978) – Rod Stewart released this song as a double-A single. Its flip side, Hot Legs was played heavily the U.S.  I spent most of the first six months of 1978 traveling in Europe, where this introspective side was regularly played.  I fell in love with his autobiographical lyrics and confessional delivery.

 

VIII. ‘39 (1975) – Bohemian Rhapsody, Queen’s mammoth hit from A Night at the Opera, is a song that might just as well been included here. Brian May, the group’s lead guitarist, wrote ‘39. The song is about space travel and the dilation of time in Einstein’s theory of relativity.  A century has passed when the explorers return, but they are but a year older.  Their contemporaries are dead, and the space travelers encounter only their aging grandchildren. May achieved his doctorate in Astrophysics in 2007.

 

IX. The Way Life’s Meant To Be (1981) – Another time travel song, where ELO’s Jeff Lynne discovers a disappointing future world, filled with ivory towers and plastic flowers. It’s not the utopia he imagined, symbolized by a wish to be back in 1981.  I had never heard this song until 35 years after its release, when Spencer used it as the fadeaway in a short film project at Chapman University.

 

X. Going All the Way – A Song in 6 Movements (2016) – This song appeared on Meat Loaf’s final album, Braver Than We Are. While Meat Loaf was the front-man, all his best songs were by Jim Steinman, who also wrote and produced No. 1 songs for Bonny Tyler – Total Eclipse of the Sun; Air Supply – Making Love Out of Nothing at All; Boyzone – No Matter What; and Barry Manilow- Read ‘Em and Weep.  Steinman joined Andrew Lloyd Webber and wrote the lyrics for their 1996 musical, Whistle Down the Wind.  Meat Loaf and Steinman died within months of each other during Covid.

 

XI. God Only Knows (1966) – Opens side 2 of the Beach Boys’ Pet Sounds album.  Paul McCartney summed it up best, when he described it as, “The greatest song ever written.”

 

XII. See Me Through (Part II) Just a Closer Walk (1991) – Van Morrison takes this 1941 gospel-jazz standard way back to Hyndford Street, where he grew up in Belfast, Northern Ireland.   Morrison reflects back on his childhood memories about 80 seconds in with a spoken-word poem that describes a Sunday afternoon in winter  . . .

And the tuning in of stations in Europe on the wireless,
Before, yes before this was the way it was,
More silence, more breathing together,
Not rushing, being,
Before rock `n’ roll, before television,
Previous, previous, previous.

 

XIII. All the Love I Have (2000) – Andrew Lloyd Webber’s musical, The Beautiful Game (soccer) is centered on a Belfast Catholic team during the Troubles of 1969, the deadly conflict between Protestants and Catholics (watch the 2021 film “Belfast”). Ben Elton wrote the lyrics.

The star soccer player, John Kelly has joined the IRA, as his wife, Mary, pleads for him to reconsider leaving their marriage and abandoning his young son.  It’s a stirring finale to this fine musical.

Note: The finale is actually two songs, All the Love I Have and Beautiful Game Finale, thus two video are shared below.

The Beautiful Game Finale:

 

XIII – December 2025 is also available on WJMK90 Spotify or as an Apple Playlist.  Message Bill Kombol for a mailed CD version or a text of the Spotify or Apple playlists.

XIII CD songs and length.

 

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Ten Album Turning Points – Desert Island Discs

Who didn’t love album covers?

In Tom Stoppard’s play, “The Real Thing,” the lead character, Henry can’t figure out which songs to pick when he’s slated to appear as the castaway on Desert Island Discs.  The problem is Henry likes mindless pop music, but he’s a snob who’s afraid to admit he like pop music, so struggles to find songs and performers those of his intellectual class should like.  His wife suggests a more pragmatic approach: pick records associated with turning points in his life.

My list follows the turning point theory–– records that wormed into my ears during special moments experienced early in life.  There are plenty of albums I grew to love after these, but none captured my heart and soul like those from my youth.

I compiled my Desert Island Discs during the early days of Covid-19 when the country was shutting down and a bored citizenry sought new ways to amuse themselves by posting lists of favorite albums.  April Fools’ Day seemed a fitting day to start, so with thanks to Doug Geiger’s original Facebook invitation and Jim Olson’s posts of musical inspiration, I posted these favorites from April 1-10, 2020.

Day 1 – The First Family (1962): Though it’s April Fools’ Day, this is no joke . . . though Vaughn Meador’s First Family sure traded in them.  It was the first record I listened to all the way through time and time again.  It was my 9-year-old introduction to political humor, delivered with Kennedy-style Boston accents plus world leaders whose names I still remember: De Gaulle, Khrushchev, Ben-Gurion, and Castro among them.  This spoken-word comedy album spent 12 weeks as #1 on the Billboard charts selling over 7.5 million copies.  The Kombol family’s copy of the album, listened to so many times, was never played again after Nov. 22, 1963.

Day 2 – Modern Sounds in Country & Western Music (1962): “I Can’t Stop Loving You” was the #1 hit, and Ray Charles’ foray into C&W was what a nation listened to that year.  The album spawned four singles and everyone liked it: kids, adults, even grandparents.  I listened to it once again this morning.  Its soulful, jazzy,  easy-listening, country-feel, sounds just as sweet today as it did 58 years ago.  This was one of the couple dozen albums our family-owned.  My sister, Jeanmarie and I regularly rotated Ray Charles’ “Modern Sounds” with soundtracks from “Oklahoma” and “The Music Man” plus our own personal favorite–– the spoken-word soundtrack to the “Pollyanna” movie starring Hayley Mills.

Day 3 – Meet the Beatles (1964): From the opening notes of “I Wanna Hold Your Hand” to the closing bars of “Not a Second Time” every song is a winner.  Our family didn’t own the album, but my best friend’s family did.  Every day after 5th grade we gathered at Jeff Eldridge’s home across Franklin Street from ours.  Jeff’s older brother, Ron was a junior at EHS, and his album; “Meet the Beatles” introduced four lads from Liverpool into our lives. Most afternoons were the same––listen to “Meet the Beatles,” followed by watching “Casper the Friendly Ghost” cartoons and Superman episodes starring George Reeves.  When not playing the Beatles, we cued up Roy Orbison.

Day 4 – Sgt. Pepper (1967): It was the perfect time to be 14 years old.  The Beatles released Sgt. Pepper the very week I said goodbye to 8th grade.  That Summer of Love was our summer of sun. It shined most every day in Seattle, setting a record 67 days without rain.  Most days Mom drove us to Lake Sawyer with the radio tuned to AM 950.  That June the Beatles held seven of the top ten positions on KJR’s Fabulous Fifty record survey, published Fridays in the Seattle P-I.  Each song spawned new mental imagery––from tangerine skies to meter maids.

A month later the Beatles defined the spirit of the era with their follow-up single “All You Need is Love.”  It all added up to the best summer of my life; not to mention more than a few hours staring at the album cover or studying the lyrics printed therein.  To this day when anyone asks my favorite album of all time – there’s one quick answer: Sgt. Pepper.

Day 5 – Tommy (1969):  By the autumn of 1969, most of us had driver’s licenses.  Lester Hall drove his parent’s Ford Fairlane with an state-of-the-art stereo.  We’d drive around Enumclaw from here to there but mostly nowhere.  When doing so we listened to the Who’s “Tommy” so many times I’m surprised the 8-track tape didn’t wear out.  We occasionally rotated Creedence, the Beatles, or CSN to give the Who a rest.

“Tommy” is generally considered the first rock musical. In late April 1971, our senior year of high school, the very first theatrical production of “Tommy” was staged at the Moore Theater.  This world premiere featured a yet unknown, Bette Midler portraying the Acid Queen with show-stopping ferocity. A bunch of us saw it.  I was in heaven.

Forty-five years later I gave the double album a long overdue listen from a remastered copy.  How did “Tommy” hold up?  It starts great. In fact, the Overture is perhaps my favorite number.  At times the album soars with melodies flowing nicely.  It’s an album in the best sense of the word.  But, the story (book in musical-theater parlance) isn’t convincing.  As smart and clever as Pete Townsend was, he’s simply not a great lyricist.  The best songs still shine: “I’m Free,” “Pinball Wizard,” and “See Me, Feel Me.”  The worst, “Fiddle About,” “Cousin Kevin,” and “Tommy’s Holiday Camp” remain clunkers.  I can’t claim it stands the test of time, but back then “Tommy” was the height of musical fashion and evidence of our growing sophistication.

Day 6 – Every Picture Tells a Story (1971): “Maggie May” will forever be embedded as my first song of college.  It was late September when I began my freshman year at U.W.   Rod Stewart’s hit album was the soundtrack for initiation to college life – the picture of my story.  While I’m particularly fond of the “Mandolin Wind,” “Reason to Believe;”; there’s no better song than “Maggie” to put a smile on my face and a song to my lips.

“Wake up Maggie I think I got something to say to you,
It’s late September and I really should be back at school.”

Day 7 – American Pie (1971): Don McLean has a special place in my heart.  His performance at the Paramount on March 17, 1972 was the first concert I ever attended.  I chose my sister, Jeanmarie Bond to be my date.  It was her first concert too.  We dined at ClinkerdaggerBickerstaff & Petts beforehand. It was a swank and trendy restaurant on Capitol Hill.

When introducing American Pie, McLean mockingly mimicked some college professor who wrote a detailed analysis of its lyrics.  The audience sang the words and chorus we knew by heart.  The title song has never loosened its grip.  The album’s second hit single, “Vincent” is a hauntingly beautiful musical evocation of artistry focused on the most stunning of paintings: Van Gogh’s The Starry Night.  If it’s been some time since you last heard the entire album just say, “Hey Siri (or Alexa), play the album American Pie by Don McLean.” You’ll be rewarded.

Day 8 – Past, Present & Future (1974):  My first introduction to Al Stewart came courtesy of FM radio’s penchant for playing extended-length songs like “Nostradamus” and “Roads to Moscow” in the early 1970s.   Only later did I buy the album and discover Stewart’s lyrical genius runs through history.  In fact, side one of this breakthrough album features a song for each of the first five decades of the 20th century.  My love affair with Al Stewart’s music played out nicely over the decades – I’ve seen him in concert five times, more than any other music artist.

Day 9 – All-American Alien Boy (1976):   While in college I liked Mott the Hoople.  Their lead singer and songwriter, Ian Hunter left the group in 1975, the year I graduated.  The following year I was drifting without direction when Hunter released his second solo album.  It struck gold in this listener’s ears. There aren’t many who feel the same way, but I stand by Ian Hunter’s “All-American Alien Boy” as an enduring work of musical art.  “Irene Wilde” is a beautiful ballad of a true story, bus station rejection that inspired Hunter’s rise to stardom.

BTW, Doug Geiger and I had plans to see the Mott the Hoople reunion tour in November 2019, but sadly Hunter developed a severe case of tinnitus.  He was advised by his doctors to discontinue performing until his condition subsides.  Will we ever get the chance to see Mott the Hoople?  Time may soon run out for the 80-year-old Ian Hunter, who I once saw in concert playing with Mick Ronson.

Day 10 – The Stranger (1977):  This record changed the direction of my life.  The album spawned four Top 40 hits: “Moving Out,” “Just the Way You Are,” “Only the Good Die Young” and “She’s Always a Woman to Me.”  But two lesser-known tunes convinced me to take a giant step outside myself.  When working as a management trainee at Seattle Trust & Savings Bank, I grew increasingly frustrated with my chosen direction.  Repeated listening to “Scenes from an Italian Restaurant” and “Vienna” (waits for you) convinced me I needed a change.

Those two songs fortified my courage to quit the job with a month’s notice dated to the one-year anniversary of when I started.  I left for Europe in February 1978 with no set agenda and a budget of $10 a day.  I lived and traveled for the next five months and have never forgotten the debt I owe to Billy Joel for drawing out the courage I couldn’t find by myself.

 

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